For his Master’s degree at the Graduate School of Fine Arts, Tokyo University of the Arts, Takahashi majored in 19th century French Art History, with a particular focus on Eugène Delacroix and Édouard Manet.
The rise of the Neoclassical art of Jacques-Louis David ultimately engendered the realistic reactions of Gustave Courbet and Édouard Manet leading to the multi-faceted figurative art of the 20th century.
However, the simplicity with which Velázquez displays the female nude—without jewellery or any of the goddess's usual accessories—was echoed in later nude studies by Ingres, Manet, and Baudry, among others.
A gang offers money for stealing the Édouard Manet painting La blonde aux seins nus (The Blonde with Bare Breasts) from the museum.
The Races at Longchamp is an 1866 painting by the French artist Édouard Manet.
Édouard Manet | Édouard Vuillard | Édouard Daladier | Jules Edouard Roiné | Olympia (Manet) | Édouard-Louis Pacaud | Édouard-Louis-Antoine-Charles Juchereau Duchesnay | Édouard Lalo | Édouard Detaille | Eduardo Manet | Édouard Stephan | Edouard Roditi | Édouard Michelin | Édouard Lucas | Édouard Lock | Édouard Lartet | Edouard Lanteri | Édouard Frère | Édouard Cortès | Édouard Carmignac | Édouard Balladur | Edouard A. Stackpole | Ange Edouard Poungui | Portrait of Louis de Bussy d'Amboise by Édouard Pingret | Pierre Édouard Blondin | Manet's | ''Le Tennis'', huile sur toile d'Édouard Vuillard, 1907 | Jean-Baptiste Édouard Bornet | Isidore-Édouard-Candide Masson | George-Édouard Desbarats |
Among the artists represented in his collection were Théodore Géricault, Eugène Delacroix, Honoré Daumier, painters of the Barbizon school such as Jean-Baptiste-Camille Corot, Jean-François Millet, Antoine Chintreuil, Gustave Courbet, Édouard Manet, Berthe Morisot, Claude Monet, Pierre-Auguste Renoir, Paul Cézanne, Alfred Sisley, Paul Gauguin and Pierre Puvis de Chavannes.
It may be more than doubted, for instance, whether the etchings of Goya or the paintings of Manet would have been sure of protection when seen for the first time.
Édouard Manet's Le déjeuner sur l'herbe ("The Luncheon on the Grass"), in which a nude woman is depicted having lunch with two fully clothed men, is another famous painting whose themes were controversial when it was first displayed in 1863.
Writing of the first exhibition of the Société Nationale des Beaux-Arts in the Champ de Mars in 1890, Walter Sickert was scathingly critical of most of the paintings, making exceptions for a series of far-eastern landscapes by Louis-Jules Dumoulin, a painting by Édouard Manet, some portraits by Jules-Élie Delaunay and some studies by Dantan.
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For twelve years Dantan's companion was the model Agostina Segatori, who had also posed for artists such as Jean-Baptiste Corot, Jean-Léon Gérôme, Eugène Delacroix and Édouard Manet.
Lucas had a substantial collection, with a large number or prints by Eugène Delacroix, Édouard Manet, Mary Cassatt, and James Abbott McNeill Whistler.
The design derives originally from Lucas Cranach's Diana Reclining and Édouard Manet's Olympia but the inspiration is Martinique and the symbolism is largely Hindu, the central figure being the Hindu goddess Mariamman.
He owned works by Eugène Delacroix, Vincent van Gogh, Claude Monet, Edgar Degas, Auguste Renoir, Jean-Baptiste-Camille Corot and Édouard Manet, next to large collections of Oriental, Islamic, and medieval art, and was a benefactor of the Louvre Museum, a.o. as creator and director of the Friends of the Louvre, and as director of the Musée des Arts Décoratifs, Paris.
Some of the painters whose work is featured in the collections are Perugino, Tintoretto, Jan Brueghel the Younger, Caravaggio, Georges de La Tour, Charles Le Brun, Ribera, Rubens, Claude Gellée (known as Le Lorrain and Claude), Luca Giordano, François Boucher, Eugène Delacroix, Édouard Manet, Claude Monet, Paul Signac, Modigliani, Picasso, Raoul Dufy...
It portrays him as friends with other contemporary Parisian artists such as Edgar Degas, Auguste Renoir, Édouard Manet, and other artists of the Second French Empire who either exhibited or were in some way associated with the Salon des Refusés and were generally outside the Paris art establishment of the era, and who had been refused admission to the École des Beaux Arts.
The album was released just before the death of Lowell George in 1979 and has cover art by Neon Park (a feature of almost all Little Feat albums) containing several pop-/cult references including a picnic scene, mirroring Édouard Manet's "Le déjeuner sur l'herbe", which shows Bob Dylan, Fidel Castro and Marlene Dietrich as Der Blaue Engel with an open copy of Howl beside them.
Yasumasa Morimura borrows images from historical artists (ranging from Édouard Manet to Rembrandt to Cindy Sherman), and inserts his own face and body into them.
Also in 2007, Mendelson received an Arts Council England Grant for the Arts to create a work called Scheherezade's Sideboard which has since been shown at Transition Gallery, London and Galerie Edouard Manet, Gennevilliers.