It was long believed by Christians that the Dome of the Rock echoed the architecture of the Temple in Jerusalem, as can be seen in Raphael's The Marriage of the Virgin and in Perugino's Marriage of the Virgin.
Crowe and Cavalcaselle also claim for Bertucci an Adoration of the Magi in the Berlin Gallery, there ascribed to Pinturicchio, and a Glorification of the Virgin in the National Gallery, given in the catalogue to Lo Spagna, who was a pupil of Perugino.
The forms of G. del Pacchia are fuller than those of Perugino (his principal model of style appears to have been in reality Franciabigio); the drawing is not always unexceptionable; the female heads have sweetness and beauty of feature, and some of the colouring has noticeable force.
As a boy he learned the rudiments of painting and architecture from his father Giulio, an architect and engineer who studied under Antonio da Sangallo, and his aunt Teodora, who was said to have studied under the painter Perugino and also wrote a commentary on Euclid.
After his death the Roman statues and Italian paintings by Barocci, Bassano, Bellini, Paris Bordone, Pordenone, Palma Vecchio Giorgione, Lorenzo Lotto, Parmigianino, Guido Reni, Giulio Romano, Tintoretto, Titian, Andrea Schiavone, Perugino, Antonello da Messina and Paolo Veronese were shipped to his brother in Amsterdam.
Albertinelli's paintings bear the imprint of Perugino's sense of volumes in space and perspective, Fra Bartolomeo's coloring, the landscape portrayal of Flemish masters like Memling, and Leonardo's Sfumato technique.
Some of the painters whose work is featured in the collections are Perugino, Tintoretto, Jan Brueghel the Younger, Caravaggio, Georges de La Tour, Charles Le Brun, Ribera, Rubens, Claude Gellée (known as Le Lorrain and Claude), Luca Giordano, François Boucher, Eugène Delacroix, Édouard Manet, Claude Monet, Paul Signac, Modigliani, Picasso, Raoul Dufy...
St. Sebastian Bound to a Column (c. 1500–1510) — Oil on canvas, 181 × 115 cm, São Paulo Museum of Art, São Paulo, Brazil
According to art historian Giovanni Battista Cavalcaselle, Raphael, then an assistant of Perugino, had a major role in the execution of the Resurrection.
Other works of art include works by Ventura Salimbeni, Eusebio da San Giorgio, Orazio Alfani, copies after Perugino, Girolamo Danti (sacristy, 1574), Giovanni Lanfranco, Mino da Fiesole (a marble with Young Jesus, St. John the Baptist and St. Hyeronimus, in the Vibi Chapel), a Jesus in the Orchard attributed to Guido Reni, two grand canvas by Giorgio Vasari, and a Pietà of Sebastiano dal Piombo's school.
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By Perugino himself is a series of Saints in the sacristy, once part of the San Pietro Polyptych (1496-1500), which once decorated the main altar of the church, and is now divided into several collections (the main panel is at the Museum of Fine Arts of Lyon).