Like Tiessen and Schnabel, he was deeply impressed by Schoenbergian and Bergian Expressionism but did not adopt the twelve-note method, preferring a freely and often totally chromatic vocabulary with little or no sense of key.
Eduard Shevardnadze | Eduard Stiefel | Eduard Hanslick | Erdmann August of Brandenburg-Bayreuth | Eduard Khil | Eduard, Duke of Anhalt | Eduard Buchner | Julius Eduard Hitzig | Friedrich Eduard Schulz | Eduard Zeller | Eduard Tubin | Eduard Spranger | Eduard Mörike | Eduard Kuznetsov | Eduard Heis | Eduard Dietl | Eduard Brunner | Eduard van Beinum | Eduard Taaffe, 11th Viscount Taaffe | Eduard Suess | Eduard Steuermann | Eduard Sievers | Eduard Puricelli | Eduard Prchal | Eduard Pechuël-Loesche | Eduard Nalbandyan | Eduard Knoblauch | Eduard Gufeld | Weierstrass–Erdmann condition | Slavoljub Eduard Penkala |