Like Edward Weston in the United States, Renger-Patzsch believed that the value of photography was in its ability to reproduce the texture of reality, and to represent the essence of an object.
Just as the Guggenheim money was running out, Weston was invited to illustrate a new edition of Walt Whitman's Leaves of Grass.
Henrietta Shore (1880–1963) was a post-impressionist Canadian painter who exhibited contemporaneously with Georgia O'Keeffe and influenced the photographer Edward Weston.
Around this time, they met and subsequently became friends with one of Sarah's cousins, the photographer Edward Weston, who made several photographic portraits of Jordan-Smith.
From 1950-1951, he served apprenticeships with Minor White, Edward Weston and Ansel Adams through the San Francisco Art Institute (formerly known as the California School of Fine Arts).
The title is said to be a tip of the hat to The Beatles, combining Sgt. Pepper's and The White Album into one name, and the cover to Edward Weston's Pepper No. 30.
King Edward VII | Edward I of England | Edward III of England | Edward VIII | Edward VII | Prince Edward Island | Prince Edward, Earl of Wessex | Edward III | Edward | Edward Heath | Edward G. Robinson | Edward Albee | Edward Elgar | Edward I | Weston-super-Mare | Edward IV of England | Edward VI of England | King Edward's School, Birmingham | Edward Hopper | Edward Gibbon | Edward Burne-Jones | Prince Edward | Edward Bulwer-Lytton | Edward II of England | Edward Weston | Edward James Olmos | Edward Smith-Stanley, 14th Earl of Derby | Edward R. Murrow | James Francis Edward Stuart | Edward the Confessor |
The 1884 founders of the American Institute of Electrical Engineers (AIEE) included some of the most prominent inventors and innovators in the then new field of electrical engineering, among them Nikola Tesla, Thomas Alva Edison, Elihu Thomson, Edwin J. Houston, and Edward Weston.
Cole Weston (January 30, 1919 - April 20, 2003) was the youngest son of photographer Edward Weston and brother of photographer Brett Weston.
Two years later, they settled in Carmel, California, where their friends and neighbors included photographer Edward Weston, poet Robinson Jeffers, philosopher/mythologist Joseph Campbell, dancer/choreographer Jean Erdman, nutritionist/author Adelle Davis, poet George Sterling, short story writer/poet Clark Ashton Smith, marine biologist/ecologist Ed Ricketts and novelists John Steinbeck and Henry Miller.
His work was included in the 120 year survey of the nude exhibition “Body Work” at the Minneapolis Institute of Arts, alongside the work of Edward Weston, Bill Brandt, Eadweard Muybridge, E. J. Bellocq, and Edward Steichen.
Highlights of the Museum’s collection include works by Armin Hansen, William F. Ritschel, Joan Miró, Henri Matisse and Pablo Picasso as well as that of world-renowned photographers Edward Weston and Ansel Adams.
He exhibited with such well-known and diverse photographers as Edward Weston, Ansel Adams, Minor White, Aaron Siskind, Harry Callahan, Robert Frank, and Eikoh Hosoe.
In Los Angeles in the 1930s she joined the Film and Photo League, began her lifelong work for racial justice, and formed enduring friendships with artists and political activists including Edward Weston, Imogen Cunningham and Woody Guthrie.
Photographic superstars including Ansel Adams, Edward Weston his son Brett Weston, Dody Weston Thompson and Berenice Abbott are considered innovators and practitioners of this style.
Notable artists and photographers included: Dody Weston Thompson, Ansel Adams, Minor White, Charis Wilson (second wife of Edward Weston and the famous model of his nude photographic work), Paul Strand, Dorothea Lange, Wynn Bullock, Don Ross, Ruth Bernhard, Willard Van Dyke, Nata Piaskowski, Beaumont Newhall and Nancy Newhall, and artists Georgia O'Keeffe, Morris Graves and Jean Charlot and his wife Zohmah Charlot.
Chappell was a constant presence in American black and white imagery among other noted photographers Minor White, Alfred Stieglitz, and Edward Weston, with whom he studied.
He then took a job at Aperture Foundation and, as assistant editor, worked on the Aperture History of Photography series and on publications such as Edward Weston: Nudes; America and Lewis Hine; and the re-publication of Robert Frank’s The Americans.