French Novelist Georges Bernanos admired it, and in the 1950s the American poet, Elizabeth Bishop, then resident in Brazil, translated it into English as The Diary of Helena Morley.
Stevenson is the author of over a dozen volumes of poetry, of some books of essays and literary criticism, of a controversial biography of the American poet Sylvia Plath, Bitter Fame: A Life of Sylvia Plath (1989), and two critical studies of Elizabeth Bishop.
In her youth, the Pulitzer Prize-winning author Elizabeth Bishop lived with her grandparents, William Brown Bulmer and Elizabeth (Hutchinson) Bulmer, in Great Village.
Wehr was a student of the noted poet Elizabeth Bishop and in 1967 she wrote a gallery note for a showing of Wehr's paintings.
Biaz finished the finals on Friday, April 29 with the poem Filling Station by Elizabeth Bishop.
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An authority on the Elizabethan courtier poet Sir Philip Sidney, Kalstone also lectured and wrote about 20th-century poets including Elizabeth Bishop and Robert Lowell.
Joyce Carol Oates said of her first published volume that, "Many of her poems have the bite and sting of Ann Sexton's poetry, but they are admirably restrained as well, tracing the necessary journey one makes in "coming back" to one's deepest self after a busy, extroverted life." Publishers Weekly described her as "a radiant poet," a characterization Karl Kirchwey adopted as the title of an appreciation in which he compares her to Elizabeth Bishop.
Many readers also know Sanger for his measured criticism and insightful reviews of work by Douglas Lochhead, Richard Outram, Robert Bringhurst, John Thompson, Emily Carr and Elizabeth Bishop.
In 2013, she starred the movie Reaching for the Moon along with Miranda Otto, the film follows the real love story between the American poet Elizabeth Bishop and Brazilian architect Lota de Macedo Soares.
Her poem "Let Evening Come" was featured in the film In Her Shoes, in a scene where the character played by Cameron Diaz reads the poem (as well as "One Art" by Elizabeth Bishop) to a blind nursing home resident.
Matthew Spangler's writing has been published in Theatre Journal, Text and Performance Quarterly, The James Joyce Quarterly, The New Hibernia Review, SIAR: The Journal of the Western Institute of Irish Studies, The South Atlantic Review, The Biographical Dictionary of Southern Writers, The Art of Elizabeth Bishop, and Performing the Crossroads: Critical Essays in Performance Studies and Irish Culture.