Old Airport Road is the second solo album by Clay Harper (formerly of the Coolies and founder of Fellini's Pizza, located in Atlanta).
The new musical orientation was presented to the wider audience on the second synth-laden studio album "Izleti" ("Excursions"), featuring songs "Pobuna bubuljica" ("Acne Uprising"), "Nestašni đački izleti" ("Naughty School Excursions"), "Javna kupatila" ("Public Bathrooms") and "Federico u bačvi" ("Federico in a Barrel"), the latter being inspired by the Federico Felini film Casanova.
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Bar-On found inspiration for her aesthetics in film, precisely in Giulietta Masina's actors work, as well as in the new manner introduced by Fellini, Antonioni and Godard of seeing film-life (art-life) relationship problem.
In particular, Fellini's 8½ (1963), about a film director who's artistically stuck, is referenced.
Amanhã É Tarde (Portuguese for Tomorrow's Too Late) is the fifth studio album by Brazilian band Fellini, and it was released in 2001 by independent carioca label Midsummer Madness.
Influenced by Russ Meyer, David Lynch, John Waters, Fellini, Kurosawa, Hitchcock, Lovett's own cinematic style fluctuated between surreal, sophomoric, and salacious.
In 2008 he released his autobiography called I Peed on Fellini, a reference to a drunken attempt to shake Federico Fellini's hand while using a urinal.
With the very successful Nino Rota/Fellini album (Deux Z/Harmonia Mundi, 1995), acclaimed arrangement and composition work done around Nino Rota's film music, he explored a more European and typically Mediterranean idiom, while keeping a lot of improvisation.
This film shared the 1954 Silver Lion prize from the Venice Film Festival with Kazan’s On the Waterfront, Fellini’s La Strada, and Kurosawa’s Seven Samurai.
The economist and film critic Murray Rothbard described it as "what may well be the Worst Movie of All Time, the absurdist-nihilist Fellini monstrosity, Juliet of the Spirits", saying that it reeked of "pretension and deliberate boredom".
The movie pays homage to Federico Fellini to a great extent: several references are made to La Dolce Vita and 8½ throughout the film.
He had several different jobs, including an appearance in an advertisement for ice-cream, work as a dancer in a TV show, playing and dancing in two musicals and a couple minor roles in two Fellini movies.
Ride the High Country was hailed as a success upon its release in Europe, beating Fellini's classic 8½ for first prize at the Belgium Film Festival and winning the Paris film critics award for best film.
More than any other, Songs from the Second Floor succeeded in cementing his personal style – a style characterized by long takes, absurdist comedy, stiff caricaturing of Swedish culture and Felliniesque grotesque.
Although she was reluctant to make a comeback, Fellini convinced her to take on the role of the sexy, lightheaded mistress opposite Marcello Mastroianni in 8½.
Il bidone (English titles The Swindle or The Swindlers), a 1955 Italian film directed by Federico Fellini
According to Italian writer Alberto Arbasino, Fellini's 1963 film 8½ used similar artistic procedures and had parallels with Musil's novel.
Indeed, L'Uomo delle Stelle contains elements of Fellini's 1955 Il Bidone (another film about despicable con men preying on the innocent southern peasantry) as well as Fellini's 1952 film Lo Sceicco Bianco (also about a desperate, impressionable young woman who becomes romantically infatuated with the figure of a male celebrity, and who is eventually driven insane by the inevitable shock of disillusionment).
In his twilight years (three years before he died of a heart attack at the age of 73), Fellini mounts an energetic assault on media moguls like Silvio Berlusconi and the pandemonium of contemporary society by suggesting the escape into silence as a means to heal the psyche, the source of all true wisdom.
The plot is much inspired from the 1950s Fellini film La strada and Nancy's character has a kind of adapted resemblance to that of Souad Hosni's.