In 1963, with the painters, Ferroni, Ennio Calabria, Giuseppe Guerreschi, Piero Guccione, Piero Guccione e Alberto Gianquinto and the art critics Dario Micacchi, Antonio Del Guercio and Morosini, he founded the group Il pro e il Contro (Pro and Con), which immediately became a point of reference for the newborn neo-figures experiments.