The Marriage of Figaro | Le Figaro | The Marriage of Figaro (play) | The marriage of Figaro | Crazy Day or The Marriage of Figaro |
He has frequently showed his versatility by singing two roles from the same opera: Figaro and the Count in Mozart’s Le nozze di Figaro, Leporello and the title role in Mozart’s Don Giovanni, Guglielmo and Don Alfonso in Mozart’s Così fan tutte, and Dandini and Don Magnifico in Rossini’s La Cenerentola, among others.
In 2009 Alex Gaumond's career took to new levels when he was cast by Ben Elton, Brian May and Roger Taylor to play the lead role of Galileo Figaro in their co-written musical We Will Rock You.
With that maestro, she recorded Le nozze di Figaro (1978), Lohengrin (opposite René Kollo and Dunja Vejzovic, 1976-81) and Der Rosenkavalier (with Agnes Baltsa and Janet Perry, 1982).
In the mid-1990s in New York City, the Henderson sisters created Antigone Rising and started playing gigs, initially in Bleecker Street venues including The Back Fence, Cafe Figaro and The Bitter End with Jen Zielenbach on bass and Dena Tauriello on drums.
Other well known cartoon bicolor cats include Krazy Kat, Felix the Cat, Tom Cat from Tom and Jerry, Jess from Postman Pat, Kitty Softpaws from the Shrek spin-off Puss in Boots, Figaro, Beans and Sylvester.
Cheryl was one of six featured composers in Tete a Tete's opera project Family Matters (based on Beaumarchais’ third Figaro play The Guilty Mother) with a libretto by Olivier-Award winner Amanda Holden: workshops took place in Battersea Arts Centre in September 2003, with the final opera being staged throughout February 2004 at the Bridewell Theatre, followed by twelve performances around the country.
At the end of 2006, when De Nederlandse Opera staged the three Mozart-Da Ponte operas conducted by Ingo Metzmacher, de Niese sang Susanna in Le nozze di Figaro and Despina in Così fan tutte.
The installations of the Met, La Scala and the Arcimboldi, the Vienna State Opera, Liceu, and the Royal Opera House were possible with the donations of the philanthropist Alberto Vilar, at the time a majority shareholder of Figaro Systems.
At Christie's, during an auction in the Principality, one of his paintings reached fourth place among works of famous artists like Arman, Botero, Folon or Matta (Le Figaro, 20 March 1999).
Tozzi was the recipient of three Grammy Awards: in 1960 the Grammy Award for Best Classical Performance, Operatic or Choral for The Marriage of Figaro with Erich Leinsdorf; in 1961 the Grammy Award for Best Opera Recording for Puccini's Turandot, with Erich Leinsdorf; and in 1963 the Grammy Award for Best Opera Recording for Georg Solti's recording of Verdi's Aida (with Leontyne Price and Jon Vickers).
At the Boston Opera House he performed the roles of Alfio, Amonasro, Count di Luna, Enrico, Figaro, Germont, Jack Rance in La Fanciulla del West, Marcello, Rafaele in I gioielli della Madonna, Riccardo, Scarpia, Sharpless, and Tonio.
His first appearance at that house was on 25 November 1915, as Figaro in The Barber of Seville with Frieda Hempel as Rosina and Giacomo Damacco as Count Almaviva, with Gaetano Bavagnoli conducting.
He began his career with the New Orleans Opera Association in secondary parts, including appearances in Salome (1949), Le nozze di Figaro (1956), Il trovatore (opposite Herva Nelli, 1958) and The Beggar's Opera (directed by Lillian Gish, 1958).
He was certainly a treasured teacher on Brisbane's School of Art, later a 'Drawing Master' at Brisbane Girls Grammar School, next to his work as a painter and as an illustrator (most notably for the Queenslander, and for 'Bobby' Byrne's weekly the Queensland Figaro).
In 1783 it was given in Vienna, with a cast including Francesco Benucci as Blasio and Nancy Storace as the countess, the original Figaro and Susanna in Mozart's The Marriage of Figaro.
Ancona also undertook roles composed by Leoncavallo (Silvio and Tonio), Puccini (Lescaut and Marcello), Mascagni (Alfio and David in L'amico Fritz), Giordano (Gerard in Andrea Chénier), Mozart (Don Giovanni and Figaro) and Wagner (Wolfram, Telramund and even, on occasion, Hans Sachs).
Max Olivier, also known as Max-Olivier Lacamp, was a reporter for Le Figaro and reported on the Partition of India, in 1947.
His roles at the Opéra-Comique included; Figaro, Lescaut, Zurga, Frédéric, Ourrias, Dapertutto, Alfio, Marcello, Scarpia, et al., he took part there in the creation of Emmanuel Bondeville's Madame Bovary, on 1 June 1951.
This view appears in Mozart's operas; for example, in The Marriage of Figaro, an opera based on a play by Pierre Beaumarchais (another Freemason), the lowly-born Figaro is the hero and the Count Almaviva is the boor.
Additional operatic successes include Le Nozze di Figaro (Cherubino) and Carmen (Mercedes) with the Vancouver Opera, Fenena in Nabucco with Manitoba Opera, Albert Herring (Nancy) with the Calgary Opera and many appearances with the Edmonton Opera.
He has worked exclusively with almost all prominent Greek designers, major magazines such as Celebrity, Woman, Madame Figaro, Elle, Esquire, Nitro, Status and many of the most famous names in the Greek fashion, TV and music industry such as singers Haris Alexiou, Giannis Kotsiras and Despina Vandi, TV hosts Eleonora Meleti, Eleni Menegaki, Elena Katritsi and Sakis Rouvas.
the "Tutti mi chiedono" section in Figaro’s Largo al factotum from Act 1 of Rossini's The Barber of Seville (1816), and the "Signorina, un'altra volta" section in Bartolo's "A un dottor della mia sorte" in the same Act.
In June 1906, he went back to Le Figaro and reported the first meeting of the Russian parliament, the Douma.
He also had a leading role in The Secret of Santa Vittoria with Anthony Quinn and Anna Magnani, Seven Hills of Rome with Mario Lanza, Questi fantasmi with Eduardo De Filippo and Figaro qua Figaro là with Totò.
MacWatters sang at the New York City Opera from 1946 to 1951, in The Pirates of Penzance (as Mabel, conducted by Julius Rudel), Rigoletto (as Gilda, with Giuseppe Valdengo and Luigi Infantino), Il barbiere di Siviglia (as Rosina, opposite Enzo Mascherini), The Old Maid and the Thief (as Laetitia, with Marie Powers), Le nozze di Figaro (as Susanna), Les contes d'Hoffmann (as Olympia), and Ariadne auf Naxos (as Zerbinetta).