According to Otto Erich Deutsch, this lodge was "the largest and most aristocratic in Vienna. ... Mozart, as the best of the musical 'Brothers,' was welcome in all the lodges."
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This figure appears in Mozart's opera The Magic Flute in the overture, suggesting the opening of the Masonic initiation.
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This view appears in Mozart's operas; for example, in The Marriage of Figaro, an opera based on a play by Pierre Beaumarchais (another Freemason), the lowly-born Figaro is the hero and the Count Almaviva is the boor.
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The story and music of his opera The Magic Flute is also considered to have strong Masonic influences.
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The Masonic Funeral Music (Maurerische Trauermusik), K. 477/479a, no later than November 1785.
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