Napaljarri (skin name) | I've Got You Under My Skin | skin | I've Got You Under My Skin (song) | The Skin of Our Teeth | Skin Yard | Skin | The Knight in the Panther's Skin | Orchestra of Skin and Bone | In the Skin of a Lion | The Skull Beneath the Skin | Skin Deep | Mysterious Skin | Flick of the Switch | Black Skin, White Masks | Soap&Skin | Skin Two | Skin Trade | Skin Game | Skin Deep (1989 film) | Skin (computing) | Skin (comics) | skin cancer | I've Got You Under My Skin (Angel) | Human skin | Vic Flick | The Skin Game (1931 film) | The Skin Game | The Hair and Skin Trading Company | The front of the Painted Bride Art Center, showing ''Skin of the Bride,'' a mosaic by Philadelphia artist Isaiah Zagar |
Though he finished his first 16mm film, Wild Gunman, in 1978, he had explored his (rather Situationist) desires to eradicate the borderlines between fine and popular art, public and private imagery, the political and the purely aesthetic in several film and photo-essay projects, notably Flick Skin (1977), a Super-8 film that Baldwin made while living in the projectionist booth at a porn theater.