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In 1673 Saint Margaret Mary Alacoque stated that she had a vision of Jesus in which she was instructed to spend an hour every Thursday night to meditate on the sufferings of Jesus in the Garden of Gethsemane.
The author uses the book to examine the Christian liturgy, express his opinions about the state of Catholicism in contemporary France and explore the question of suffering (one notable passage describes the Garden of Gethsemane).
This exhibition also contained In Company, 2008—created especially to be shown alongside Kurt Schwitters's Merzbarn—and her painting The Visit—based upon Ian Fleming’s The Garden of Gethsemane, 1931, from the Hatton’s Historic collection.
describing a soldier who sweated blood before battle, men unexpectedly given a death sentence, as well as descriptions reported in the Bible, that Jesus experienced hematidrosis when he was praying in the garden of Gethsemane (Luke 22:43-44).
The title is derived from the garden of Gethsemane in which Jesus waited and prayed before he was arrested and crucified, as Brother Edward recounts in the episode.
It was through Cussida's patronage that Van Baburan painted the Entombment, Christ in the Garden of Gethsemane and Christ on the Road to Calvary for the Chapel of the Pietà of the Church of San Pietro in Montorio.