Despite a good reception from critics and Savoy opera devotees, the opera achieved a run of only 115 performances, owing partly to its dense plot and unwieldy libretto, and partly to the continued decline of comic operas in favour of George Edwardes-style musical comedies as the London theatregoing public's choice entertainment.
The 1910 English adaptation, The Girl in the Train, was produced in two acts by George Edwardes at the Vaudeville Theatre in London, with lyrics by Adrian Ross, and ran for 340 performances.
The fault lay partly in Burnand's weak and pun-filled libretto, but also was a result of changing audience tastes, as musical comedy, such as those produced at the Gaiety Theatre by George Edwardes, was supplanting light opera on the London stage.
The Spring Chicken is an English musical comedy adapted by George Grossmith, Jr. from Coquin de Printemps (1897) by Jaime and Duval, with music by Ivan Caryll and Lionel Monckton and lyrics by Adrian Ross, Percy Greenbank and Grossmith, produced by George Edwardes at the Gaiety Theatre, opening on 30 May 1905.
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Carr's first produced work (with lyricist Adrian Ross) was the burlesque Faddimir, or the Triumph of Orthodoxy at the Vaudeville Theatre in London in 1889, which gained the attention of producer George Edwardes.
Beginning in 1896, she toured as O Mimosa San in The Geisha with George Edwardes's touring company.
She was a founder member of the Society of West End Theatre Managers, along with Frank Curzon, George Edwardes, Arthur Bourchier and sixteen others.