Paper Lion, published in 1966, is a non-fiction book by prominent American writer George Plimpton.
Ernest Hemingway, in a letter to George Plimpton, characterized the book “as a sort of ragtag assembly of his rewrites, second thoughts and ramblings shot through with occasional brilliance.
The movie, which chronicled George Plimpton's early years at the Paris Review, offered the opportunity to work alongside legendary documentarian Albert Maysles.
He has collaborated with numerous contemporary humorists and authors, notably George Plimpton and Delia Ephron.
She is the editor at large of the quarterly magazine A Public Space and was a staff editor of The Paris Review for sixteen years, under George Plimpton.
During a brief stint with the Detroit Lions, Bass had a small speaking part in the 1968 film adaptation of George Plimpton's book Paper Lion.
George Plimpton hosted and gave commentary and background information before and after each cartoon.
Fatsis trained as a placekicker and spent the summer of 2006 as a member of the Denver Broncos during the team's training camp (similar to the premise of George Plimpton's 1966 book Paper Lion).
The Host Committee for The Shakespeare Project included Henry Guettel, Leonard Bernstein, Helen Hayes, Bernard Jacobs, John V. Lindsay, Joseph Papp and George Plimpton.
A film by Sheldon and Diane Rochlin, co-Produced by George Plimpton.
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Her work was held in the Stuyvesant collection in the Netherlands, New York's Hurryman Collection, and is owned by private collectors such as George Plimpton and Mick Jagger.
After making a very public and national campaign against the National Endowment for the Arts, and in particular its funding of the single-word poem "lighght" by Aram Saroyan, Scherle found himself campaigned against by many of Saroyan's supporters including George Plimpton.
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Gonzo journalism has now become a bona-fide style of writing that concerns itself with "telling it like it is", similar to the New Journalism of the 1960s, led primarily by Tom Wolfe and also championed by Lester Bangs, George Plimpton, Terry Southern, and John Birmingham—in fact, gonzo journalism is considered a sub-genre of new journalism.
Other members of the cast (in credits order) include David Schurmann (O.V. Bragan), Robert Bockstael (David Leeson), Carlo Rota (Spiros Papps), Susannah Hoffmann (Sally Leeson), Giancarlo Esposito (Ambassador Theodore Kelefy), Seymour Cassel (James Arthur Ferris), Manon von Gerkan (Adria Kelefy), George Plimpton (Cook), Richard Waugh (Capt. Jasper Colvin), Matthew Edison (Nate the Trooper) and Steve Cumyn (D.A. Herman Jasper).
During the 1950s she lived in Paris, where she was associated with the group of expatriate writers who produced the literary review Merlin, among them Alexander Trocchi, Christopher Logue, George Plimpton and Richard Seaver.
With a focus on preservation, Stop Smiling published some of the last in-depth conversations with Kurt Vonnegut, Robert Altman, Lee Hazlewood and George Plimpton.