He was an influential bebop pianist, whose style can be heard echoed in the playing of Bud Powell, George Wallington, Al Haig, and Duke Jordan.
George Wallington: Trio (Savoy, 1949–51); Trios (OJC, 1952–53)
He did extensive work as a sideman in the 1950s, with Jon Eardley (1955–56), Jimmy Raney (1955–57), Eddie Costa (1956), Friedrich Gulda (1956), George Wallington (1956–57), Al Cohn (1956–57, 1960), Zoot Sims (1957), Gil Evans (1957), Mose Allison (1957–58), Carmen McRae (1958), and Don Elliott (1958).
Moving to New York in 1955, he began performing and recording with the likes of Sal Salvador, Tony Scott, Chet Baker and Buck Clayton, Lee Konitz, Warne Marsh, Phil Woods, Gene Quill, Zoot Sims, Al Cohn, Elvin Jones, Mary Lou Williams, Bill Evans, George Wallington, Jackie Paris and Lennie Tristano, with whom he was most closely associated.
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