This gave rise to the well known Barbizon school and their example was followed in the 1850s by a few Dutch painters who gathered in Oosterbeek in order to work in the surrounding countryside.
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He traveled to Europe in 1886, where he was influenced by the Dutch Hague School painters Jacob Maris and Anton Mauve.
His etchings, which examined light and shade, again show the influence of the Hague School as well as Whistler and Rembrandt.
Although many painters were members of both organizations, the Art Circle offered the generation after 1850 an alternative to the Pulchri Studio, in which the renowned Hague School artists such as Mesdag, Israëls, and Jacob Maris were members.