Most of the tracks feature the fiddle, including the Dove-award winning “He's Alive”.
This episode aired the same day as George Wallace's "Segregation now, segregation tomorrow, and segregation forever!" inauguration speech.
Jacques Brel is Alive and Well and Living in Paris | Alive | DOA: Dead or Alive | Dead or Alive | Bliss Was It In That Dawn To Be Alive | The Whitest Boy Alive | Stayin' Alive | It's Alive | I Shouldn't Be Alive | Monthly Comic Alive | Dead or Alive Xtreme 2 | Alive and Cooking | The Fastest Guitar Alive | Still Alive | Only Lovers Left Alive | No One Here Gets Out Alive | Mummies Alive! | Livonia (His Name Is Alive album) | It's Alive (band) | 'It's Alive!' | I'm Alive, I'm Dreaming | Frampton Comes Alive! | Dead or Alive (series) | Dead or Alive (band) | Bring 'Em Back Alive (TV series) | Bring 'Em Back Alive (film) | Bring 'Em Back Alive (book) | Alive & Well AIDS Alternatives | Alive Till I'm Dead | Alive and Transported |
The monster suit that was used to portray the dinosaur was used in another one of Buchanan's older films, Creature of Destruction.
And despite what many sources say, said webbed-fingered, hospital gown-clad creature was created using primitive prosthetic make-up and greyish green body paint and not the infamous cheap and phony-looking scalloped-scaled rubber wetsuit and fiercely-fanged fish head mask with painted ping pong ball eyes Buchanan later used in Creature of Destruction and 'It's Alive!'.
Earthquake Visions is the album that the glam-style metal band It's Alive recorded for Cheiron Studios in 1994.
'It's Alive!', a 1969 American TV film directed by Larry Buchanan
Jack's Alive is a 1978 album by British folk-rock band The Oyster Ceilidh Band, an early incarnation of Oysterband
In 1985 they quit the band and started a new, It's Alive, together with among others Max Martin (then known as Martin White) as their singer and frontman.
Joey Ramone also references chicken vindaloo when introducing the song "I Wanna Be Well" on the 1979 It's Alive album.
The same year he became one of the key people within the Commission for Njegoš's Monument, designated to design a Museum for Petar II Petrović-Njegoš which was about to be built in the place of his Chapel raised by Danilo that was to be destroyed, despite his personal promises to the Serbian Orthodox Church's Metropolitanate of Montenegro and the Littoral that no such move shall be taken as long as he's alive.