He had personal exhibitions at the Musée Galliéra in Contemporary Art in 1976, at the Museum of Contemporary Art in Montreal in 1980 (a retrospective), and Mexico in 1983.
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He has published numerous articles, papers and books on the sociology of art and communications, notably: Art and Marginal Communication (Balland, Paris, 1974), Théorie de l'art sociologique, Casterman, Paris, 1976; L'Histoire de l'art est terminée, Balland, 1981; Citoyens-sculpteurs, Segedo, 1981; L'Oiseau-chat (on the Quebec identity), La Presse, 1983; La Calle ¿ A dónde Ilega?
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Hervé Fischer taught sociology of communication and culture at the Sorbonne.
Dietrich Fischer-Dieskau | Bobby Fischer | Jenna Fischer | Julia Fischer | Urs Fischer | Johann Bernhard Fischer von Erlach | Hervé Vilard | Hervé Le Tellier | Hervé Di Rosa | Herve | Hermann Emil Fischer | Gustav Fischer | Fischer | Joschka Fischer | Herve Leger | Eugen Fischer | Emil Fischer | Thierry Fischer | John Martin Fischer | Hervé Guibert | Heinz Fischer | Anna Fischer | Takayo Fischer | Mariann Fischer Boel | Hervé Morin | Hervé-Edgar Brunelle | Hervé | Gustav Fischer (equestrian) | Fritz Fischer | Franz Joseph Emil Fischer |
As early as 1968, art critics Pierre Restany and François Pluchart used the term “sociological art” to refer to socially engaged and less commercial practices among a diverse set of artists, including body artists Gina Pane and Michel Journiac, Spanish-born video artist Joan Rabascall, Hervé Fischer, Fred Forest, and Jean-Paul Thenot.