Harivansh Rai Shrivastav alias Bachchan (Hindi: हरिवंश राय बच्चन) (27 November 1907 – 18 January 2003) was a noted Indian poet of Chhayavaad literary movement (romantic upsurge) of early 20th century Hindi literature.
Rajkamal Prakashan is a noted publishing house of Hindi literature as well as English book publication.
Hindi | literature | Nobel Prize in Literature | English literature | Literature | German literature | French literature | Italian literature | Children's literature | Travel literature | children's literature | Persian literature | 1852 in literature | 1594 in literature | Spanish literature | Russian literature | Japanese literature | English Literature | Irish literature | Comparative Literature | Children's Literature Association | American literature | 1895 in literature | 1853 in literature | Polish literature | Chinese literature | Arabic literature | 2009 in literature | 2007 in literature | 1896 in literature |
He started out as an important poet, being published in the first three volumes of Tar Saptak, series of anthologies (1943), which marked a transition in Hindi literature, from the prevalent Chhayavaad movement; this led to the initiation of Prayogvaad Experimentalism in Hindi poetry, and developing along with Pragativaad Progressivism, eventually led to the creation of the 'Nayi Kahani' (New Story) movement, Modernism .
Born in a Brahmin family of Zamindars, in Faridnagar, Uttar Pradesh,He was a post graduate topper in Hindi literature from Allahabad University (1941),He had a love of writing,he shifted to Delhi in 1942 with his patriotic thoughts and non political writings.
He got associated with stalwarts of Hindi literature like Sumitranandan Pant, Shailesh Matiyani, Naresh Mehta, Mahadevi Verma, Ilaychand Joshi and many more.
While in Banaras, he came into contact with the great luminaries of Hindi Literature, including poets Suryakant Tripathi 'Nirala', Maithili Sharan Gupt, Hariaudh, Harivansh Rai Bachchan, Bedhab Banarasi ; critics like Pt.
Hindi literature is broadly divided into four prominent forms or styles, being Bhakti (devotional – Kabir, Raskhan); Shringar (beauty – Keshav, Bihari); Virgatha (extolling brave warriors); and Adhunik (modern).