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Adolf stood with his brother-in-law, Conrad of Hochstaden, Archbishop of Cologne, in the anti-Hohenstaufen camp, supporting King William II of Holland and received significant Imperial fiefs, including Kaiserswerth, Remagen, Rath, Mettmann and the Duisberg district of the national forest.
The opera Agnes of Hohenstaufen by the Italian composer Gaspare Spontini had its premiere on 12 June 1829 at the Royal Opera in Berlin.
However, the village near what is now Avola appeared only during the Norman or Hohenstaufen rule (12th-13th centuries).
This occupation was even recognized by the Empire, in the sense that, when the Guelph emperor Otto IV allied himself at Weißensee with Margrave Albert II, Waldemar allied himself with the Hohenstaufen emperor Frederick II.
Anna of Hohenstaufen (1230-1307), Empress Consort of Nicaea (ca. 1241-1254), sometimes referred to as Constance II of Hohenstaufen
The historical dramas with which his name is chiefly associated are Die Hohenstaufen (1837–38), a cyclus of 15 dramatic pieces founded on Friedrich von Raumer's Geschichte der Hohenstaufen, and the trilogy Cromwell (1841–44).
The town is mentioned in historical documents for the first time in letter of protection from Conrad of the House of Hohenstaufen together with Duke Ludwig II, also called "the Strict", of Bavaria and the Burgher of Ausberg, in 1264.
In September 1198 Frederick's younger half-brother Ottokar I made use of the rivalry among Otto IV from the House of Welf and the Hohenstaufen duke Philip of Swabia, youngest son of Emperor Frederick Barbarossa, who both had been elected King of the Romans.
He also led the anti-Hohenstaufen party in the region when Frederick's heir, Conrad IV of Germany, incited the Istrian communes to revolt.
He grew up in England and became count palatine of the Rhine through his 1193 marriage to Agnes, heir to the Count of Staufen.
By undercutting the Imperial power established by the Salian emperors, the controversy led to nearly 50 years of civil war in Germany, and the triumph of the great dukes and abbots, until Imperial power was reestablished under the Hohenstaufen dynasty.
Thus, we know that there was a vibrant troubador tradition in the 12th century in the Provence in their language and we know that 1000 miles away on the island of Sicily there was also a vibrant troubador tradition at the Hohenstaufen court of Frederick II, songs sung in the dialect of the people (very much influenced, for example, by Arabic), but it is conjecture as to exactly what either one sounded like.
Rule of the island was passed from the Normans to the Hohenstaufen Kings, followed by the Angevins, and then the Aragonese, until Carlos I, the Aragonese King became the Spanish King, and then quickly was crowned Holy Roman Emperor Charles V.
The dedication, to the Assumption of the Blessed Virgin Mary, refers to a small gilded wooden statue of the Virgin of the late 14th century, which has the nickname Madonna della vittoria ("Madonna of Victory"), because it is said to commemorate the victory of the Anjou dynasty over the Hohenstaufen in Southern Italy.
Margaret of Sicily (also called Margaret of Hohenstaufen or Margaret of Germany) (1 December 1241, in Foggia – 8 August 1270, in Frankfurt-am-Main), was a Princess of Sicily and Germany, and a member of the House of Hohenstaufen.
Roger as a secular ruler seemed a reliable ally, since he was merely a vassal of his kinsman the Count of Apulia, himself a vassal of Rome, so it seemed safe at the time for Urban to give him these extraordinary powers, which were later to lead to bitter confrontations with Roger I's Hohenstaufen heirs.
The majority supported Poppo von Osterna, but the minority, the opponents of the Hohenstaufen dynasty, chose Wilhelm von Urenbach as their own Grand Master.