The Conference of Studio Unions was, at the time, an International union belonging to the United Brotherhood of Carpenters and Joiners and represented the Carpenters, Painters, Cartoonists and several other crafts working for the Studios in Hollywood.
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Thomas Pynchon later would use some of these events as backstory in his novel Vineland.
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Gerald Horne; Class Struggle in Hollywood 1930–1950 (University of Texas Press, 2001 ISBN 0-292-73137-X)
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