He also left in manuscript Akeret ha-Bayit (The Barren One of the House; compare Psalms cxiii. 9), a commentary on another division of the Shulḥan Aruk; namely, Ḥoshen Mishpaṭ.
These historical connections go back to the time of Temple worship, when the same kinds of stones were set in the golden Breastplate of the Ephod worn by the Kohen Gadol, and on the Ephod the names of each of the twelve tribes of Israel were inscribed on a particular type of stone.