Schloss is a pioneer in computer-music technology, and worked at IRCAM and the CCRMA in the 1980s.
On his return to Europe, he began working with electroacoustic music and mixed music, especially at the IRCAM music research institute.
IRCAM |
Boulez conducts three tracks ("The Perfect Stranger", "Naval Aviation in Art?" and "Dupree's Paradise"), recorded at IRCAM, Paris on January 10 and January 11, 1984, and performed by Boulez's Ensemble InterContemporain.
A former pedagogical advisor at IRCAM in Paris and professor of orchestration at the Hanns Eisler Music Conservatory in Berlin, he is currently assistant professor in composition at Columbia University in New York and senior professor for composition at the Hochschule für Musik Detmold in Germany.
In 1996, following residencies at IRCAM and the ZKM, Karlsruhe, he co-founded the Ensemble WireWorks with his wife, pianist Jennifer Hymer—a group specializing in the performance of mixed-media composition.
Tulve’s works give a fair idea of the richness and variety of her cultural experience: the French school of spectral music, IRCAM’s experimentalism, Kaija Saariaho and Giacinto Scelsi, echoes of Gregorian chant and Eastern musics.
She also studied composition and electronic music in Poland and at 'Musicultura' in Breukelen, the M. Deutsch Symphonic Workshop in Paris, IRCAM courses in Kraków and the Polish Society for Contemporary Music courses in Rydzyna and Wzdów.
She later continued her studies with George Benjamin and 2001 she complemented her studies with Stage d’été for professional composers at Ircam in Paris.
The most notable of these have been Neurotransmission (1998), an hour-long acousmatic dance score written for Wayne McGregor and Random Dance in 1998, Still Time (2001) for the flutist Alejandro Escuer, Symbiont (2002) a multimedia collaboration with Miles Chalcraft, and nights bright daies (2003) for the Ictus piano and percussion quartet; the latter premiered in June 2004 at the Festival Agora No 7 at IRCAM (Paris, France).
Frédéric Durieux, Hans-Peter Kunz) and teaching several courses of Computer Music (for the Doctorate Program of Ecole des Hautes Etudes en Sciences Sociales and IRCAM Computer Music Curriculum) as well as participating in the beta-testing of Miller Puckette's Max programming language.
Sandred was teaching composition at the Royal College of Music in Stockholm for 1998–2005 and he has been a guest lecturer at IRCAM, Conservatoire National Superieur de Musique in Paris, at the Bartok Seminar in Szombathely in Hungary, at the Sibelius Academy in Helsinki, at McGill University in Montreal, at Harvard University, at the Shanghai Conservatory of Music and other places.
She studied at the University of Quilmes, Municipal Conservatory of Music (Arg.) and at the annual course at The IRCAM with Tristan Murail (France, 1996/97).
Azevedo followed several seminars at IRCAM and other institutions, and worked in short periods with composers like Emmanuel Nunes (at the Gulbenkian Foundation), Tristan Murail, Phillipe Manoury, Luca Francesconi, Mary Finsterer, Jorge Peixinho, Louis Andriessen and Simon Bainbridge.