Another influential illustrated book was Cesare Ripa's Iconologia, first published in 1593, though it is not properly speaking an emblem book but a collection of erudite allegories.
Designed by Charles Le Brun from Cesare Ripa’s Iconologia, the statues were executed by the foremost sculptors of the day (Blunt, 1980; Friedman, 1988, 1993; Nolhac, 1913; Thompson, 2006; Verlet, 1985).
Cesare Ripa's influential Iconologia (Rome, 1603) represented Invidia with a serpent coiled round her breast and biting her heart, "to signify her self-devouring bitterness; she also raises one hand to her mouth to show she cares only for herself".
In 1603, in the second edition of his treatise Iconologia, Cesare Ripa associated the symbol with the Italia turrita, and creates a modern version of Italy’s allegorical personification: woman with a star on top of a towered crown, therefore supplied with the Corona muralis and the Stella Veneris.