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Cuthell became, along with Rico Rodriguez, the horn section for The Specials, playing cornet on their debut album, and staying with the band into their later incarnation as the Special A.K.A., playing on the hit single "Free Nelson Mandela", and the album In the Studio.
By the age of 22, he was working in the studio of Ettore Sottsass, In 1980, he became a partner of the studio Sottsass & Associati.
Guy Lagneau (1915–1996) and Michel Weill (1914–2001) met in the studio of Auguste Perret in the National School of Fine Arts established in 1943.
The band spent one day in the studio with producer Mike Elizondo (Dr. Dre, Eminem, 50 Cent, Maroon 5, Gwen Stefani).
She produced an interview video with Daniel Buren in 2010 on artistic practice in public spaces Conversations in the Studio #3.
The group formed the band B.O.N.E. Enterpri$e which consisted of five members: Krayzie Bone, Layzie Bone, Bizzy Bone, Wish Bone and later Flesh-n-Bone and recorded an album entitled Faces of Death in the studio of their then mentor, Kermit Henderson (Krayzie Bone's younger brother) on his indie label Stoney Burke in 1993.
One of Breakfast Times most notable episodes was on the morning of the Brighton bombing when Nick Ross in the studio presented continuous live coverage of the IRA's attack at the Conservative Party conference in 1984, including live pictures of the rescue of senior politicians such as Norman Tebbit.
Later in 1695, Tavella worked in the studio with the Dutch painter Pieter Mulier II (Molyn) called Cavalieri Tempesta or il Tempesta.
As of September 2010, the band is currently in the studio recording a follow up record to Imminent Eminence with record producer/indie rock musician J. Robbins at his Magpie Cage Studios in Baltimore, Maryland.
Chapter Two: Hasta Siempre is a live album by Argentinian saxophonist and composer Gato Barbieri featuring three tracks recorded in the studio released on the Impulse! label.
Despite his lingering paralysis he recited The Lament for Brendan Behan after which everyone in the studio, lead by Ronnie Drew, sang The Auld Triangle.
Kamuela Kim, formerly of Tommy Boy Record's band Plushgun joined Distortion Mirrors as temporary guitarist for summer shows and in the studio on the record.
At the age of 15 years, he traveled to Rome to work under Cesare Mariani, director of the Accademia di San Luca, then moved to Naples where he worked in the studio of Domenico Morelli.
This episode was mainly shot on location in the Stanford Battle Area in Norfolk, with the exception of the first scene in the church hall yard, which was shot in the studio.
This live version quickly found widespread radio play before being recorded in the studio for Staind's next album, Break the Cycle.
Channel 5’s regular pundits consisted of Pat Nevin who, from 2009, moved to pitchside before games and in the OB truck at half and full-time; Stan Collymore who briefly replaced John Barnes and is now in the studio alongside Jim Rosenthal, and Graham Taylor who is the principal co-commentator.
This guitar can also be seen in use in the studio for Oasis in the 'Gold and Silver and Sunshine' documentary, as well as for live performances on a Top of the Pops Comic Relief special in 2008 & Live at Wembley Stadium Familiar To Millions in 2000.
Born in Poli, in the Lazio, he was trained in Rome in the studio of Alessandro Algardi, a noted sculptor, who noted that Brandi was more suited to painting.
In 1971 the crystals fragile were discovered by Franco Battiato, and with the addition of other musicians, including keyboardist Roberto Cacciapaglia, the group became the Battiatio's support group in the studio and in live performances.
In December 2009, Moakes, Paul Mullen (vocalist and guitarist of The Automatic) and William Bowerman (drummer of La Roux) worked in the studio together on a new side project, with Bloc Party on hiatus and both The Automatic and La Roux inactive over the Christmas break.
Artist like Francis Dunnery, Tower of Power, Stephen Harris, Sae1NYC, Usher, SpaceHog and even the Famous Robert Plant were known to have dropped in for a visit, or even to record with the local bands while they were in the studio.
Ashes Divide took some time off after their first series of touring, so Friedl immediately kept busy by joining the band Devo in the studio to record and rehearse new songs that they had been writing for their album Something for Everybody, their first album since Smooth Noodle Maps, which was released in 1990.
He has performed, live and in the studio, with artists such as Cake, Bright Eyes, JJ Cale, Norah Jones, Teddy Thompson, Al Anderson, Gillian Welch/David Rawlings, Peter Rowan, Jo Williamson, Sunny Ozell, Marilyn Carino and Julia Darling.
He won a prize, which allowed him to be awarded a scholarship in Paris where he worked in the studio of Jacques-Louis David, where he produced his notable Cincinnatus leaving the plow to make laws to Rome.
Roles she sang in the studio (such as the Empress in Strauss' Die Frau ohne Schatten) or in concert (such as Leonore in Beethoven's Fidelio, and Fidelia in Giacomo Puccini's Edgar) are not included.
He attended the Sorbonne in Paris beginning in 1932 and briefly trained in the studio of the French painter Clement Serveau (1886-1972).
The Mark I had two channels: The "Input 2" channel, voiced like the Fender Bassman, and the high gain "Input 1" channel, which produced the overdriven "Boogie lead" sound used most notably by Carlos Santana on Abraxas, and by The Rolling Stones' Keith Richards and Ron Wood, who used the amps live and in the studio from 1977 until 1993.
The record was finished, but never released, however the 2 years in the studio helped to introduce Cave to some highly regarded producers, including Kevin Bacon, and Jonathan Quarmby.
and in Dec 2003 they went in the studio to record their major-label debut with producer Nick Raskulinecz (Foo Fighters, Superdrag, Danzig, Queens of the Stone Age, Paramore.
Gregoletto was in the studio with Jason Suecof next to where Trivium were demoing, and was told by Suecof that they needed a bass player.
Also known by the title Playin' Around the World, it contains about an hour of video segments featuring the members of Play - Anaïs Lameche, Anna Sundstrand, Faye Hamlin and Rosie Munter - as they perform a set of songs in concert, rehearse their music videos, discuss their life performing and living on their tour bus, and prepare for their new album Replay by recording tracks in the studio.
Quinn plays Fender guitars and amps including Fender Stratocasters, Bassmans and Twin Reverbs live, but in the studio uses all different varieties of guitars, pedals and amps.
Soon, many seminal rock and roll players, including Carl Perkins, started using an EchoSonic, which in turn led to other manufacturers producing individual tape echo units that could be used in the studio as well as on stage.
While living in Japan he worked closely with the artist Akio Takamori and in the studio of Jun Kaneko.
These past years she has worked either in the studio or on the stage with several artists both from abroad and from Greece, such as Waldemar Bastos, Sokratis Malamas, Rodney P, Skitz, Killa Kela, Mixologists, Adam Fuest, Winston Irie, Chris Hall, Oliver Wilson, Dynamo Dresden, Extremists and more… Also, she has often performed in London, Wales and Germany.
Interviewed in 2004, producer Mike Hedges does not recall any demo tracks, with the band generally playing the track in the studio before laying down a backing track to which overdubs were added.
"Exile" has been re-recorded several times in the studio too, one such example was for their album Lie of the Land (1995) and their 2007 compilation album Roots: The Best of Show of Hands.
Even though Otis played most of his own parts in the studio, the lineup on this album was quite extensive, including keyboardist George Duke and Aynsley Dunbar of Frank Zappa, Journey, and Whitesnake fame.
"Trio", "Fracture", and "Starless and Bible Black" were recorded at the Concertgebouw in Amsterdam, as was the introduction to "The Night Watch" (the remainder was recorded in the studio).
Drummer Mel Gaynor was sidelined during the album sessions (apparently after disagreements with Trevor Horn) and was eventually demoted to session player status, with much of the drumming in the studio being performed by Manu Katché (from Peter Gabriel's band) and Stewart Copeland (ex-Police).
Between 1958 and 1960 she worked in the studio of Vanessa Bell and Duncan Grant in Sussex, and produced ceramics with Quentin Bell.
Supported live and in the studio by Happy Tsugawa-Banta (vibes & keyboards) and Joel Patterson (drums), The Lassie Foundation reinvented itself on Face Your Fun, citing influences such as Echo & the Bunnymen, The Jam, New Order, U2, A Flock of Seagulls, Guided by Voices, and The Jesus and Mary Chain.
It is released on Strange Fruit: DEI 8118-2 in 1991 and recorded live in the studio.
The two songs from Before Time Began were recorded in the studio in 1969 by the original lineup of the New Riders of the Purple Sage, which included Dawson, David Nelson, and three members of the Grateful Dead — Jerry Garcia, Mickey Hart, and Phil Lesh.
His vocals were mostly restricted to the background in the studio, although he contributed "For Someone Special" (a tribute to ill bandleader Tom Johnston) to Takin' It To The Streets (1976) and the creatively syncopated "Need A Lady" to Livin' On The Fault Line (1977).
After airing an interview with Fianna Fáil politicians Charlie O'Connor and Darragh O'Brien, recorded outside Leinster House following the vote of confidence in then Taoiseach Brian Cowen, Browne popped up onscreen back in the studio and remarked: "God, it would do your head in, wouldn't it?".
Further he continued his study at The Academy of Fine Arts and Design in Bratislava, Slovakia since 1982, where he studied in the Studio of Prof. Ladislav Snopek, Teodor Banik, and later in the Studio of Prof. Jan Kulich and Prof. Albín Brunovský.
After learning the art of wood carving at courses held by the Società Centrale Operaia Napoletana and working in the studio of Stanislao Lista, Migliaro enrolled in 1875 at the Naples Institute of Fine Arts, where his masters included Domenico Morelli.
Wit Studio was funded with an initial investment of ¥30,000,000 in capital from IG Port, Wada and Nakatake, who are reported to own 66.6%, 21.6% and 10.0% equity in the studio respectively.