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In 1911, Frank Damrosch, director of the Institute of Musical Art (later renamed The Juilliard School), and Arthur A. Clappe, a graduate of the Royal Military School of Music, began a formal school for Army bandmasters at Fort Jay.
In the midst of his performance schedule, he taught at various facilities, first at the Institute of Musical Art (1922–1938), then at the Mannes College (1943), the Peabody Conservatory (1947–1965), Tanglewood (as of 1949), the Cleveland Institute of Music (1964–1967), and also at Queens College beginning in 1969.
In 1926, the school was merged with the New York Institute of Musical Art, a music academy established in 1905 by Dr. Frank Damrosch (godson of Franz Liszt) dedicated to providing a teaching level equaling that of the European conservatories.
At 11, after an invitation from Frank Damrosch, she entered the Institute of Musical Art (later the Juilliard School) in New York City, where, under the instruction of Adolphe Dubois, she switched from the cornet to the trumpet.
They accepted Emanuel, but since the age limit was 16, he was sent to the Institute of Musical Art, where he studied under Constance Seeger, mother of folk singer Pete Seeger.
Born in New York, he graduated in 1918 from the Institute of Musical Art in New York where he studied with Franz Kneisel.
Lillian Fuchs began her musical studies as a pianist, later studying violin with her father and afterwards with Franz Kneisel (former concertmaster of the Boston Symphony Orchestra and first violinist of the Kneisel Quartet) at the Institute of Musical Art, now the Juilliard School.
Alderman attended New York Institute of Musical Art (later Juilliard School of Music), where she was a student of Percy Goetschius, in 1923.
He first pursued studies as a concert violinist at the Institute of Musical Art in New York that culminated in his joining the Cincinnati Symphony Orchestra as its 2nd Concert Master (1928-1932) and the 1st violinist of the Cincinnati String Quartet (1929-1932).
Together they lived and taught in Moscow, Tbilisi, Georgia and later in Berlin before emigrating after World War I and the Russian Revolution to New York, where they joined the faculty of the Institute of Musical Art which later became The Juilliard School.
A gifted cellist, he was a member of the first graduating class of the Institute of Musical Art, later known as the Juilliard School, in 1907, after studying under Percy Goetschius.