Alessandro Carabelli is a jazz pianist and composer with a background in the fields of classical music, jazz music, music history, harmony and composition and over fifteen years experience as a performer in international jazz events.
Soon after Akbar entered Tashkent State Conservatory where she studied composition, orchestration and piano for additional 5 years to complete her education.
Blue Silver is a Hard bop composition written in 1948 by American jazz trumpet player Richard 'Blue' Mitchell.
Following an introduction by his uncle, Pace took up the violin under the tutelage of Prof. Carlo Fiamingo, and studied harmony, counterpoint, orchestration and composition under Thomas Mayne.
She is co-owner of Silicon Music Publishing and many of her compositions have been recorded by various artists.
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The song was issued by Tear Drop Records in 1977 and became one of her most popular compositions.
He was supposed to enter the engineering profession, but his acquaintance with Leo Fall led him to study music at the Vienna Conservatory, where he studied composition under Robert Fuchs, and became educated as a piano teacher and Kapellmeister.
After World War II, in which he served in the army, he worked as vocal coach at the Vienna Volksoper, then as conductor at the Salzburg Theatre, before becoming a teacher for conducting and composition at the Mozarteum.
Gülşen's seventh album, Önsöz, was released in 2010, with Ozan Çolakoğlu serving as music director, arranger and co-composer; contemporaneous rumors spoke of a romantic relationship and vacationing with Gülşen in Switzerland.
He has been building his reputation with the Highland bagpipe, Classical flute, Irish flute, and composition.
He received his education as a musician at the Royal Academy of Music in Budapest from 1911 to 1922, studying with Arnold Székely (piano), Hans Koessler and Zoltán Kodály (composition), and Leo Weiner (chamber music).
From 1979 to 1984 she studied composition under the tutelage of Prof. Albert Leman at the Piotr Tchaikovsky State Conservatoire in Moscow, which she graduated with distinction.
She usually sings on stage with a Ukrainian singer, producer, and composer Potap.
For the purposes of composition, the pattern may be halted at any point, and in so doing may facilitate modulation to any desired key.
Oleksiy Andriyovych Potapenko better known as Potap (born May 8, 1981 in Kiev, Ukraine) is a Ukrainian singer, composer, and producer.
Toensing retired in 2005 from the College of Music, where he served as Professor of Composition and as the former Director of the University's Electronic Music Studio, New Music Festival, and New Music Ensemble, as well as Chair of the Composition and Theory department from 1984 to 2001.
He has also been associated with like minded organisations and institutes around the world, exploring intricacies in sound composition.
When asked about claims of plagiarism, he vehemently refuted the charge and said the accusers are jealous people who didn't have sharp, instantaneous composing skills like he had and therefore are doing all they can to discredit him.
He studied psychoanalysis and biochemistry at the University of Chicago and Lake Forest College and composition at the Chicago Conservatory of Music, but earned no degree.
musical theatre | Musical ensemble | musical film | High School Musical | Les Misérables (musical) | Musical theatre | Wicked (musical) | The Phantom of the Opera (1986 musical) | Musical composition | Cats (musical) | musical ensemble | Grease (musical) | Guys and Dolls (musical) | Little Shop of Horrors (musical) | Hair (musical) | Fender Musical Instruments Corporation | Cabaret (musical) | West Side Story (musical) | Rent (musical) | High School Musical 2 | South Pacific (musical) | Mame (musical) | Edwardian musical comedy | Recorder (musical instrument) | musical composition | Hello, Dolly! (musical) | Evita (musical) | AP English Language and Composition | Musical instrument | musical instrument |
A Trumpeter's Lullaby is a short composition for solo trumpet and orchestra, written by American composer Leroy Anderson in 1949.
These pedagogical works, his compositions and his transcriptions are edited by Boosey and Hawkes of New York, Chanterelle Verlag of Heidelberg, Barry Editorial of Buenos Aires and Henry Lemoine of Paris.
He started studying music in Chicago and continued with piano, conducting and composition at the Vienna Hochschule für Musik where he studied from 1929 to 1934.
Antony Alda finished his high school studies at Notre Dame International in Rome and completed his academic career studying musical composition at The Juilliard School in New York City.
In 1960 he was awarded a New Zealand Government Bursary and in 1961 he spent a year travelling in the UK, before studying composition in London with Priaulx Rainier, where he also had contact with Bernard Rands, Luigi Nono and Witold Lutoslawski.
After that he continued teaching counterpoint, fugue, and composition until the eve of his death in 1988, having a number of distinguished students, among them Don Shirley, Helmut Braunlich, Richard S.Parks, Thomas Tumulty, Haig Mardirosian, Richard Reiter, Dieter Lehnhoff, Anthony Doherty, and Micheal Houlahan.
Kreek studied trombone and composition at the Saint Petersburg Conservatory from 1908 to 1916 in the years immediately prior to the Russian Revolution, then worked as music teacher first in his native Haapsalu (in western Estonia), at the Tartu Music College and later at the Tallinn Conservatory.
He studied at the State Academy of music (Norges musikkhøgskole) (Lasse Thoresen, composition; Olav Anton Thommessen, orchestration; Bjørn Kruse, arranging; Mads Claesson, Arild Erikstad og Tore Simonsen, music technology; Otto Berg, viola), and at Hochschule (now Universität) der Künste Berlin (Witold Szalonek, composition).
The son of artist André Masson and brother of the singer and actor Luís Masson, Diego Masson studied piano and composition at the Paris Conservatoire.
He studied composition with José Alberto Kaplan and Mário Ficarelli, in Brazil, and later with Brian Cherney, Alcides Lanza and John Rea, at McGill University, in Montreal, Canada, where he received two of his graduate degrees (Master of Music and Doctor of Music in Composition).
Born in Asti, He studied composition at the conservatory in Turin, graduating in 1921, as well as undertaking studies in architecture, which he completed in 1920.
Foreign objects (musical composition), a 5:25 avant-garde music piece for piano and percussion by composer Terry Riley.
Döhl studied composition with Wolfgang Fortner and piano with Carl Seemann at the Hochschule für Musik Freiburg, and also musicology, German philology, art history, and philosophy concurrently at the Universities of Freiburg and Göttingen.
The Gotland School of Music Composition (sv. Gotlands tonsättarskola) is a folk high school for musical composition based in Visby, Gotland.
It offers 4-year undergraduate programs in Performance, Composition and Pedagogy/Music Education, and also 2-year Masters programs in Performance, Composition and Ethnomusicology.
Named for the musical composition, and primarily designed for European tastes, the Concerto was the successor to the Honda Ballade and the Honda Integra which was discontinued for the European Market owing to its unpopularity.
One of his more recognized auditory works was a collaboration with British composer Gavin Bryars in 1992 called A Man in a Room, Gambling, which consisted of Muñoz explaining card tricks over a composition by Bryars.
From 1951 to 1966, he taught music theory and composition at the Music Academy Warsaw.
Music for a While is a musical composition by the English Baroque composer Henry Purcell, the second of four movements from his incidental music composed in 1692 (Z 583) to John Dryden's and Nathaniel Lee's play Oedipus.
Music Mouse is an algorithmic musical composition software developed by Laurie Spiegel.
Music On A Long Thin Wire is a musical piece by Alvin Lucier conceived in 1977.
From 1966 to 1970 he taught composition as composer-in-residence at SUNY Buffalo (1966), visiting professor at the University of Michigan in Ann Arbor (1967), Regent Lecturer in composition at the University of California at San Diego (1968), and professor of the history of Renaissance music at the University of Washington in Seattle (1969–70).
Partiels (1975) is a defining piece of Spectral music by Gérard Grisey whose opening is derived from an electronic sonogram analysis of the attack of a low E2 on a trombone.
Sara is an Artistic Director and founding member of the Contemporary Music Group Momentum Ensemble, and she works in the Department of Art and Communication of Aveiro University where she teaches Composition, Analysis and Orchestration.