Ion Television | Ion Iliescu | Ion | Ion Creangă | Ion Birch | Lithium-ion battery | Ion Voicu | Ion Nunweiller | Ion (mythology) | Ion Antonescu | ION Television | Ion Panţuru | Ion Mihalache | Ion Idriess | Ion exchange | Ion Baciu | Voltage-gated ion channel | Saturn Ion | Relativistic Heavy Ion Collider | lithium-ion battery | Ion Vincze | Ion Tower | Ion Storm | Ion Sancho (politician) | Ion Sancho | Ion (play) | Ion Perdicaris | Ion Păscăluţă | Ion N. Petrovici | Ion Nistor |
Edited by Ion Vinea, Contimporanul was prolific in the area of art criticism, dedicating entire issues to modern art phenomena, and organizing the Bucharest International Modern Art Exhibit in December 1924 (with the participation of Constantin Brâncuși).
Literary critics Cornel Ungureanu and Paul Cernat note that the links created between Ma and the Bucharest-based magazine Contimporanul, centered on the friendship between their two editors (Kassák and Ion Vinea), may also have involved a loose group of Timişoarans.
According to Petre Pandrea's hostile account, Manoilescu purchased from the writers Sergiu Dan and Ion Vinea an allegedly stolen text which appeared to be entirely written by Madgearu, but had been heavily forged by the two to include criticism of the king; Manoilescu attempted to use the document against its supposed author, but was exposed by Carol himself (who, according to Pandrea, was amused by the events).