In addition to a comparatively wide Dixieland scene in the area and mainstream American-style jazz, free improvisational music developed in a way that Fred Van Hove (later relativated) spoke misguidedly of the, "Promised Land of Improvised Music".
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Only after 1924 an economic stability was achieved, and an economic basis for larger dance orchestras was possible, like those founded by Bernard Etté, Dajos Béla, Marek Weber, Efim Schachmeister, and Stefan Weintraub.
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