The composer John Blow was born in the village and two villagers, John and William Bacon were in the Charge of the Light Brigade (under the assumed name of Baker).
Examples of the Picardy third can be found throughout the works of J.S. Bach and his contemporaries, as well as earlier composers such as Thoinot Arbeau and John Blow.
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Other opera roles have included Silvio in Handel's Il Pastor Fido (Harmonie Universelle), Cupid in John Blow's Venus and Adonis, Spirit in Purcell's Dido and Aeneas (Burghley Opera), Tolomeo in Julius Caesar, Arsamenes in Xerxes, Polinesso in Ariodante, and Venus in Pepusch's Venus and Adonis for the Handel House Museum.
His interests and publications focused on what is now termed early music, in Shaw's case roughly from Thomas Tallis to Samuel Sebastian Wesley, with major interests being John Blow, Henry Purcell and Georg Frideric Handel.
She has recorded extensively, for example as Dido in Purcell's Dido and Aeneas (with Christopher Hogwood and the Academy of Ancient Music in 1994), with the choir of King's College, Cambridge conducted by Stephen Cleobury in Bach's St. John Passion, as Venus in John Blow’s Venus and Adonis with Philip Pickett, and in Monteverdi's L'Incoronazione di Poppea with Sir John Eliot Gardiner.