At that theatre, he has since been seen in Gianni Schicchi (as Rinuccio, 1975), Don Pasquale (as Ernesto, directed by John Dexter, 1979), Fidelio (as Jaquino, with Jon Vickers as Florestan, 1980), Wozzeck (as Andres, opposite Anja Silja, 1980), Don Giovanni (as Don Ottavio, 1994), Die Fledermaus (as Alfred, 1995), etc.
She was to appear with that company many times through 1991, including appearances in L'enfant et les sortilèges (as the Fire, directed by John Dexter), the Centennial Gala (the duet from Don Giovanni), La bohème (as Musetta, opposite Plácido Domingo), Les contes d'Hoffmann (as Antonia, conducted by Julius Rudel), Porgy and Bess (as Clara), L'italiana in Algeri (as Elvira) and Don Giovanni (as Zerlina).
He was at the Met again in 1995 singing Jacob Schmidt in John Dexter's production of Rise and Fall of the City of Mahagonny.
Over eight seasons, she also sang in La bohème (as Musetta), Un ballo in maschera (as Oscar), Le siège de Corinthe, La traviata, Lucia di Lammermoor, Le prophète (as Berthe, in John Dexter's production), and Rigoletto.
She returned to that theatre in 1987, for Constanze in Die Entführung aus dem Serail, in John Dexter's production.
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During his years on the roster, Foldi appeared as Schigolch in the company premieres of Alban Berg's Lulu (directed by John Dexter, 1977, which was published on DVD in 2010) and Dansker in Benjamin Britten's Billy Budd (1978) as well as playing Dr. Bartolo in the premiere of Günther Rennert's Met staging of Le Nozze di Figaro (1975).
He returned for the same opera in 1981 (now with Lucia Popp and Gail Robinson alternating as Pamina, and Zdzisława Donat as the Queen of Night), and the same season sang Monsieur Presto in the Met premiere of Les mamelles de Tirésias (directed by John Dexter).
Close was a pupil at King's School, Peterborough (then a grammar school), where he was taught Latin by John Dexter, brother of author Colin Dexter.