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John Fordham in The Guardian said: "This fine album... is the truest to her distinctive muse, with its debts to Janis Ian, Joni Mitchell and Tom Waits, as much as to Billie Holiday or Nina Simone....Herbert's earlier jazz following perhaps won't find many familiar landmarks... but as an idiosyncratic singer-songwriter album, All the Ghosts will be on the year-end hitlists whatever its genre".
The Guardian's John Fordham observed "The way in which Mehldau develops improvisations thematically - eventually interweaving fragments of the original tune and spontaneous motifs until the pieces take on the character of 10-minute compositions rather than variations on much shorter originals - grows increasingly riveting".