Hoefler has designed original typefaces for Rolling Stone Magazine, Harper’s Bazaar, The New York Times Magazine, Sports Illustrated, and Esquire and several institutional clients, including the Solomon R. Guggenheim Museum and alternative band They Might Be Giants.
The typeface shares many visual similarities with Mercury designed by Jonathan Hoefler.
Jonathan Swift | Jonathan Ross | Goodluck Jonathan | Jonathan Demme | Jonathan Lethem | Jonathan | Jonathan Richman | Jonathan Coulton | Jonathan Safran Foer | Jonathan King | Jonathan Rhys Meyers | Jonathan Zittrain | Jonathan Silverman | Jonathan Nott | Jonathan Kaplan | Jonathan Harris | Jonathan Cain | Jonathan Butler | Jonathan Borofsky | Jonathan Aitken | Jonathan Wells | Jonathan Tweet | Jonathan Pryce | Jonathan Pearce | Jonathan Dimbleby | Jonathan Blow | Jonathan Wells (intelligent design advocate) | Jonathan Pollard | Jonathan Harr | Jonathan Cape |
His letterforms were revived in the 20th century by designers such as Stanley Morison, Frederic Warde, Robert Slimbach (for example Adobe Jenson italic) and Jonathan Hoefler (in his Requiem Text typeface.) The italic script presented in La Operina was also revived in the 20th century with Alfred Fairbank's book A Handwriting Manual (1932), Getty-Dubay italic script, and the work of Gunnlauger SE Briem.