Large cinemas like the Ufa-Palast am Zoo opened, then the main locations of German film, accompanied by a lively variety and Kabarett scene, while in 1928 Max Reinhardt took over the Kurfürstendamm theatres in the rooms of the former Berlin Secession.
Marc-Uwe Kling (born 1982) is a German songwriter, author and Kabarett (political stand-up comedy) artist.
Kabarett |
He reached Germany through his first own radio show Jonas and regular appearances with Dieter Hildebrandt as member of the Kabarett theatre Münchener Lach- und Schiessgesellschaft and later until today in the political Kabarett TV series Scheibenwischer (together with Mathias Richling).
Apart from straight theatre, Gründgens also worked with Otto Klemperer at the Kroll Opera, as a Kabarett artist and also as a movie actor, most notably in Fritz Lang's 1931 film M, which decisively added to his popularity.
By 1922 he and his brother were well enough known to open their own cabaret, Kabarett Leopoldi-Wiesenthal, which developed a reputation as a centre for such later celebrated performers as Hans Moser, Szöke Szakall, Max Hansen, Fritz Grünbaum, Karl Valentin, Raoul Aslan und Otto Tressler.
Her "espectáculos" (a Spanish word that can mean both spectacle and show) do not necessarily adhere to traditional genre classification: they can reflect elite styles or popular; draw on Greek tragedy, cabaret, pre-Columbian, operatic traditions; take the form of a revue, sketch, "carpa", or political performance art (Abelleyra).
Neues aus der Anstalt (sometimes simply referred to as Die Anstalt) was a political cabaret program on German television station ZDF, hosted by Urban Priol and Frank-Markus Barwasser, who replaced Georg Schramm.
Trier also created various murals: in the Kabarett der Komiker at Kurfürstendamm (1929, destroyed by the Nazis in 1933), on the liner