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William Morris's medieval-inspired typography for the Kelmscott Press at the end of the 19th century included chapter titles and other accents in red (or rarely blue) ink, and was influential on small press art typography associated with the Arts and Crafts movement in both England and the United States, particularly the work of the Ashendene, Doves, and Roycroft presses.
He acted as private secretary to William Morris, becoming a major collector of Kelmscott Press books; was secretary also to Wilfrid Scawen Blunt; and was Thomas Hardy's executor.