Jean Nicod's name is also commemorated by the prestigious Jean Nicod Lectures, delivered annually in Paris by a leading philosopher of mind or philosophically oriented cognitive scientist, and published as a series by the MIT Press.
Their work is featured in Art After Conceptual Art published by MIT Press.
Husbands has edited several books, including coediting The Mechanical Mind in History (MIT Press; 2008; ISBN 978-0-262-25638-4) as well as author of numerous scientific articles.
Richard Coyne is a professor at the University of Edinburgh and author of several books on the implications of information technology and design, published by MIT Press and Routledge.
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The typeface was used as a display and caption face by Metropolis magazine, by Canadian graphic designer Bruce Mau in designing the initial ZONE book series, Dutch graphic designer Irma Boom, and has been widely used by Semiotext(e) Books, the MIT Press, and Dia Art Foundation.
Benjamin Lewin founded Cell in January 1974, under the aegis of MIT Press.
The journal was established under the founding editorship of Peter Dauvergne in 2000 and is published by MIT Press.
Good Faith Collaboration: The Culture of Wikipedia is a 2010 book by Joseph M. Reagle Jr. (a Fellow at the Berkman Center for Internet and Society at Harvard Law School), published by MIT Press.
With Michael Brennan, he edited Project Flexibility, Agency, and Competition (Oxford University Press, 1999), and, with Eduardo Schwartz, Real Options and Investment Under Uncertainty (MIT Press, 2001).
He was interviewed for a chapter in Sound Unbound: Sampling Digital Music and Culture (The MIT Press, 2008) edited by Paul D. Miller a.k.a. DJ Spooky.
In September 2005 the MIT Press published the artist’s first hardcover monograph, entitled Alice Aycock, Sculpture and Projects, authored by Robert Hobbs.
Nelson recently contributed a chapter to Sound Unbound: Sampling Digital Music and Culture (The MIT Press, 2008) edited by Paul D. Miller a.k.a. DJ Spooky.
Langdon Winner, Autonomous Technology: Technics-Out-Of-Control as a Theme in Political Thought, MIT Press 1977, ISBN 978-0-262-23078-0
Frank Popper, From Technological to Virtual Art, MIT Press
Rock, Irvin (1983), The Logic of Perception, MIT Press, Cambridge, MA.
Krinsky, Carol H., Synagogues of Europe; Architecture, History, Meaning, MIT Press, 1985; revised edition, MIT Press, 1986; Dover reprint, 1996
John Stasko, John Domingue, Marc H. Brown, Marc and Blaine Price,(editors), Software Visualization: Programming as a Multimedia Experience, MIT Press, Cambridge, MA, 1998.
Hirsch also contributed a chapter to Sound Unbound: Sampling Digital Music and Culture (The MIT Press, 2008) edited by Paul D. Miller (DJ Spooky).
His publications include The Alphabet and the Algorithm (MIT Press, 2011), Architecture in the Age of Printing (MIT Press, 2001; also translated into other languages), a commentary on Leon Battista Alberti's Descriptio Urbis Romae (2000, in French; and 2007, in English, co-authored); La maschera e il modello (1993); Metodo e ordini nella teoria architettonica dei primi moderni (1993).
She is the author of Surrealism in Exile and the Beginning of the New York School (MIT Press, Cambridge, Massachusetts, 1995) and surveys on artists such as Roberto Matta.
Carol Herselle Krinsky, Synagogues of Europe; Architecture, History, Meaning; MIT 1985; revised edition, MIT Press, 1986; Dover reprint, 1996, p.
Gary A. Klein, (1998) "Sources of Power: How People Make Decisions", MIT Press, Cambridge, Mass, pp. 1-30.
The Dilemma of Technological Determinism, edited by Merritt Roe Smith and Leo Marx, Cambridge, MA: MIT Press, 1994.
His work on Interactivity and Virtual Community, published by MIT Press, JCMC, and Oxford University Press is widely cited in the Information, Computer-Mediated Communication, Internet and Communication Research literatures.