In 1989, Korg recruited the design team from Sequential Circuits just as they were relieved of their duties by then-Sequential owner Yamaha.
Charlton Comics published a Korg comic book from May 1975 to November 1976.
His trademark raw sound became from triggering short samples loaded in 3 Korg SDD-2000 sampling-delay units through the trigger out of the Roland TR-808.
Harrison composed an arranged all the parts of song Don't play, and when playing programmed the instruments onto a Korg synthesizer.
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In 2002 the band reunited with Korg to play a few shows, and over the course of two years wrote material for a new album based on a screenplay written by Korg and inspired by George A. Romero's Living Dead film series.
On the albums The Raven, Gospel According to the Meninblack and Aural Sculpture, Greenfield used a Korg VC-10 vocoder.
Enterprising guitarists have even built entire effects processors into guitars, such as the Korg Kaoss Pad.
The character next features in the story-line of "Dark Son" from writers Greg Pak and Scott Redd, which runs bi-weekly in Incredible Hulks #611-617, the renamed Incredible Hulk comic book (as it will feature Hulk, Red She-Hulk, Skaar, She-Hulk, A-Bomb and Korg), leading on from events in the "Fall of the Hulks" and "World War Hulks" storylines.
From a young age made up the first loops and beats with the first samplers as Akai MPC60, Korg Electribe R and analog synthesizers such as Yamaha, Nord Keyboards, Juno-60.
Pro 3-D: Based on Media Vision's JAZZ 16 chipset (not compatible with the Pro Audio Spectrum line), with built-in SRS surround sound, and KORG wavetable daughter board.
Jean Michel Jarre – ARP 2600, EMS Synthi AKS, EMS VCS3, RMI Harmonic Synthesizer, Farfisa Professional Organ, Eminent 310U, Mellotron and the Rhythmin' Computer (later revealed to be a Korg Minipops-7 rhythm machine)
In 2009 Xisto joined forces with Alan Wallace and André Márcio of Eminence and Vladimir Korg of Chakal to form the band The Unabomber Files.
All ten compositions performed on a custom Fender Stratocaster and utilizing such technical elements as Roland guitar synthesizers, Korg guitar processors, and Roland delays (to name a handful of production components) could be categorized as "difficult listening music" (to use a term created by performance artist and Belew-contemporary Laurie Anderson).
Instruments used by Bryan Cornell include: Frostwave Resonator, Moog CP251, Moog MF103 (Phaser), Korg MS10, Metasonix TM-1SE, Blacet Time Machine, Blacet I/O module, Boss DD5 Delay, Mackie 1202 board, Shure SM 58 mic, Casio PT-1.
Anton Barbeau - vocals, Hammond organ, Wurlitzer, farfisa, some drums, acoustic piano, Microkorg, bass guitar, Micromoog, tambourine, shaker, Korg MS-10/Roland Space Echo, Arp Odyssey, acoustic and anti-acoustic piano, Navation X-Station