In 1975, performances of his work for large ensemble Transit and Time and Motion Study III were given; the former piece being awarded a Koussevitzky prize, the latter performed at the Donaueschingen festival.
Following in the footsteps of such prominent double bassists/conductors as Bottesini, Koussevitzky and Zubin Mehta, Dybał is founder and chief conductor of the "Paderewski Chamber Orchestra".
National recognition included a Koussevitzky commission, one of seven in the United State awarded in 2003–04.
A sample provided by the publisher refers to working with Koussevitzky on the Symphony No. 4 by Brahms, musing on the state of mind of the player in the performance.
The recipient of numerous awards, Mamlok had received two National Endowment for the Arts Grants (1974 and 1981), a Fromm Foundation Grant (1994), a Fellowship from the Guggenheim Foundation (1995) and commissions from various organizations, including the Koussevitzky Foundation, Eastman School of Music, Alaria Chamber Ensemble and the San Francisco Symphony Orchestra.
In 1966, he was awarded the Koussevitzky Conducting Prize at the Tanglewood Music Center.