The initial vocation of the ensemble was to interpret the great French repertoire of the 17th century (Henri Dumont, Jean-Baptiste Lully, Marc-Antoine Charpentier, André Campra, Jean Gilles...) but, since 1985, Herreweghe associated it more and more with his own Belgian ensemble, the Collegium Vocale Gent, in a repertoire almost exclusively dedicated to Johann Sebastian Bach.
Casino Royale | Casino Royale (2006 film) | Treaty of Aix-la-Chapelle | Académie Royale des Beaux-Arts | Treaty of Aix-la-Chapelle (1748) | Casino Royale (1967 film) | Sainte-Chapelle | Castelnaud-la-Chapelle | Battle Royale | Treaty of Aix-la-Chapelle (1668) | Maison royale de Saint-Louis | Isle Royale National Park | Crécy-la-Chapelle | Académie royale de musique | Théâtre de l'Académie Royale de Musique | Solitaire Royale | Sainte-Chapelle de Vincennes | Royale Monarchs | La Chapelle (Paris Métro) | La Chapelle | Chapelle royale | Casino Royale (novel) | Académie Royale de peinture et de sculpture | Académie royale de peinture et de sculpture | Wolves and moose on Isle Royale | The Royale | Théâtre de l'Académie Royale de Musique (disambiguation) | the 1967 version of ''Casino Royale'' | Royale Union Saint-Gilloise | Royale Airlines |
Starting in 1985, Mellon also worked under the direction of Philippe Herreweghe, with La Chapelle Royale (1985–1990) and the Collegium Vocale Gent (1990–1996), interpreting Charpentier, Heinrich Schütz, Monteverdi, Jean Gilles, and Johann Sebastian Bach.