"The aim of science is not to open the door to infinite wisdom, but to set a limit to infinite error," Bertolt Brecht wrote in The Life of Galileo.
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After the Second World War, the theatre continued to serve primarily as a cinema, although the Literary and Dramatic Societies of local schools Buxton College and Cavendish Grammar School staged annual performances of either Shakespeare, such as Hamlet (1966), Coriolanus (1968) and Macbeth (1970), or modern works, such as Bertold Brecht's Life of Galileo (1967) and Dylan Thomas's The Doctor & the Devils (1969).
He studied biology at the University of Lisbon and formed a jazz quartet at the Hot Club of Portugal, entered the universe of improvisation and composition techniques, simultaneously collaborating in the creation of two experimental theatre shows with Lisbon's Comuna Teatro de Pesquisa and Teatro Oficina from Brazil, in Brecht's play Galileo.