The Mother (Brecht play) | Brecht's | Antigone (Brecht play) | Brecht Wallis | Bertolt Brecht's |
He made sketches for sets and costumes for various plays such as Brecht's The Good Woman from Szechuan and Fear and Misery of the Third Reich, Pushkin's The Queen of Spades, Brandon Thomas's Charley's Aunt and V.Ivanov's Armored Train 14-69.
In the time after Brecht's exile, the company first worked at Wolfgang Langhoff's Deutsches Theater and in 1954 moved to the Theater am Schiffbauerdamm, built in 1892, that was open for the 1928 premiere of The Threepenny Opera (Die Dreigroschenoper).
She shot to fame with her performance in plays like the Marathi drama Ajab nyaya vartulacha ('Strange Justice of the Circle') in 1973, C. T. Khanolkar's adaptation of Brecht`s Caucasian Chalk Circle, Mohan Rakesh`s Adhe-adhure, “Tee Phul Rani” (Flower Queen) (1975), P.L. Deshpande's noted adaptation of GB Shaw's Pygmalion and in Jay Lerner's My Fair Lady.
During World War II in 1943, Henri van Ostayen was in favor of locating the new abbey in Brecht, of which he was burgomaster, but was killed in Antwerp by a V-1 flying bomb before the end of the war.
After an evenly fought match Brecht Wallis was announced the winner by unanimous decision and moved on to the tournament finals against American Mighty Mo where he suffered his first loss by a devastating KO in a second round.
•
After few years out of the K-1 fighting circuit Brecht Wallis made his comeback on 4 May 2007 at the K-1 Fighting Network GP 2007 in Romania, winning the tournament over Doug Viney, Errol Zimmerman and Paula Mataele and he qualified for K-1 World GP 2007 in Amsterdam.
Yücel also translated the works of Shakespeare, Lorca and Brecht into Turkish and his creative rendering of these authors are classics in their own right in Turkey.
In 1971, he directed in Florence a theatre cooperative playing works by Shakespeare, Mayakovsky, Brecht, Chekhov, and Molière.
At the end of the book, Dylan describes with great passion the moment when he listened to the Brecht/Weill song "Pirate Jenny", and the moment when he first heard Robert Johnson’s recordings.
Heinz Kahlau, Slatan Dudow, Erwin Geschonneck, Erwin Strittmatter, Peter Hacks, Benno Besson, Peter Palitzsch and Ekkehard Schall are counted among Brecht's scholars and followers.
He was associated with some of the most important European writers and intellectuals, such as Sartre, Brecht, Barthes and Lukács.
Starting in 1976, Troegner was part of the theatre company Berliner Ensemble where she played in Brecht plays, e.g. Mother Courage and Her Children, The Threepenny Opera, The Caucasian Chalk Circle.
His ideas exist as a complete and original theory of aesthetics based on Marx and Althusser in the modernist Marxist tradition (Brecht, Althusser, Benjamin, Adorno).
The theatrical highlight in Brecht's stage work was her personification of Mother Courage.
The chorus to the song is an allusion to the lyrics of "Mack the Knife", a song written by Berthold Brecht for his play The Threepenny Opera.
Paulsen played "The Dapper" in the original cast of The Threepenny Opera written by composer Kurt Weill (1900–1950) and playwright Bertolt Brecht (1898–1956).
She is most noted for creating several Brecht roles, including: Pelagea Vlassova, The Mother of 1932; Antigone in Brecht's version of the Greek tragedy; the title role in his civil war play, Señora Carrar's Rifles; and the iconic Mother Courage.
Of importance are his German translations (Hölderlin, Rilke, Goethe, Novalis, Brecht, Christian Morgenstern, Hans Urs von Balthasar) and English (theater: complete Shakespeare prose, likewise those of Charles Dickens, T. S. Eliot, Walt Whitman, Herman Melville, Saul Bellow, Thomas Merton, Edgar Allan Poe, Emily Dickinson, or Joyce's Ulysses (novel), for which he received the Translation Prize Fray Luis de León, 1977).
In 1982 while pregnant with her daughter she appeared opposite David Bowie as Emilie in the television version of Bertholt Brecht's Baal.
After turns as a neo-cabaret/slow ballad crooner in previous works (represented by her 1990s works with Hal Willner, Angelo Badalamenti and the interpretation of Brecht/Weill standards), Faithfull was eager to collaborate with contemporary musicians.
She acted in O'Neill's Skjønne ungdom at Rogaland Teater, played the character "Mrs. Peachum" in an adaptation of Brecht/Kurt Weill's musical The Threepenny Opera at Riksteatret, the character "Aase" in Ibsen's verse drama Peer Gynt, and played in O'Neill's drama Anna Christie.
She was one of the first to interpret The Threepenny Opera by Berthold Brecht and Kurt Weill, with lyrics adapted into French by André Mauprey, for instance singing La complainte de Mackie (a song English speakers know as Mack the Knife) and Pirate Jenny.
He's successfully shown his range in several different theatre productions, a.o in Almqvist's Drottningens juvelsmycke, Bulgakov's Mästaren och Margarita (The Master and Margaret), Brecht's Tolvskillingsoperan (The Threepenny Opera), Botho Strauss' Rummet och tiden, Molière's Misantropen (Le Misanthrope) and Brecht's Den goda människan i Sezuan.
A theatrical production of the play became a priority for Brecht on his return from exile in 1947; he helped to direct its premiere at the Schauspielhaus Zürich, where it opened on 5 June 1948, with scenic design by Teo Otto.
After his graduation from Mysore University, Subbanna returned to Heggodu and started producing plays at Ninasam that included Kannada translations of works by Shakespeare, Molière and Brecht and also those of Kannada writers.
He studied biology at the University of Lisbon and formed a jazz quartet at the Hot Club of Portugal, entered the universe of improvisation and composition techniques, simultaneously collaborating in the creation of two experimental theatre shows with Lisbon's Comuna Teatro de Pesquisa and Teatro Oficina from Brazil, in Brecht's play Galileo.
Agnes Bernelle - on Brecht and... (1977), Father's Lying Dead on the Ironing Board (1985)
Opposed to the focus on individual emotional experience in expressionist art, Brecht began a collaborative method to play production, starting with his Man Equals Man project.
With The Performance Group Schechner directed many productions including Dionysus in 69 based on Euripides' The Bacchae (1968), Makbeth based on Shakespeare's Macbeth (1969), Commune group devised piece (1970), Sam Shepard's The Tooth of Crime (1972), Bertolt Brecht's Mother Courage and Her Children (1975), David Gaard's The Marilyn Project (1975), Seneca's Oedipus (1977), Terry Curtis Fox's Cops (1978), and Jean Genet's The Balcony (1979).
Roger Planchon transposed many works by Brecht, Molière, Shakespeare, and many works of contemporary authors, including Arthur Adamov and Michel Vinaver, but also opened the Théâtre National Populaire to Patrice Chéreau, then Georges Lavaudant.
Margarete Steffin is named "Mitarbeiter" by Brecht in his Collected Works (1955).
•
After going into exile from Nazi Germany in 1933, Brecht sent the play to the Soviet playwright Sergei Tretyakov and offered it to theatres in Paris, London, New York, and Prague.
# "The Infanticide of Marie Farrar" (Bertolt Brecht, Mick Thomas) - 3:27
A collection of poems, self-published in 1976, was picked up by Lawrence Ferlinghetti's City Lights and appeared in their City Lights Pocket Poets Series in 1977 as Stefan Brecht: Poems.
In the prologue, entitled The Past, we are introduced to the three sisters-oldest to youngest: Jojo, a professor who is utterly captivated by her over-seas lover Brecht; Jayne, the systematic big cheese over at Bay Street and the closeted lesbian; and finally Jelly, the self-supporting artist who has a great love for peanut-butter(hence her name being Jelly).
The process was driven by another Brecht collaborator, Ruth Berlau, who had introduced Brecht to Grieg in 1931.
In 1950 Brecht removed Lindbergh's name for a production by the Südwestrundfunk, adding a preface denouncing Lindbergh's contributions to the technology of terror bombing as well as his wartime anti-interventionism and alleged Nazi sympathies.
As Casimir put it, the band took inspiration for its 'self-styled urban Romantic Cabaret' from German writers such as Brecht and Weill, as well as Tom Waits.
Ted recalls having seen Betty act in Brecht's Die Heilige Johanna der Schlachthöfe (he refers to the play by its original German title).
Articles and notes have included: Surrey and Marot, Livy and Jacobean drama, Virgil in Paradise Lost, Pope’s Horace, Fielding on translation, Browning’s Agamemnon, and Brecht in English.
She has also played the role of Bertolt Brecht in Gordon’s Uncivil Wars: moving w/Brecht & Eisler.
He has been also a talented translator of poetry and prose translating, among others, Dostoyevsky, Yesenin, Mayakovsky and Brecht.
He directed and or produced over sixty major award winning stage productions, among them Roxy Ventola’s After The Bomb, Brecht’s Baal, Sam Shepard’s True West, Arrabel’s Car Cemetery, Hamlet, Fassbinder’s The Bitter Tears of Petra von Kant, Tennessee Williams’ Vieux Carre, Nicholas Kazan’s Blood Moon, Poor Murderer, The Architect and Empress of Assyria, Cinders, Low Level Panic, and Dusa, Fish, Stas, and Vi.