By 1623 he had moved to Busseto, and later he worked at the convent of Santa Andrea, in Gualtieri, near Parma.
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In the works of Schütz, Schein, Scheidt, Praetorius, Gabrieli, Viadana and other composers from 16th and 17th century Venice, the tenor cornett appears to have been employed as the 3rd or 4th voice in instrumental and vocal music, usually playing alto or tenor ranged musical parts.