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After his career as a dancer at London Festival Ballet, Pennsylvania Ballet and Ballet Chicago, Veggetti started an on-going collaboration with Pier Luigi Pizzi as a choreographer and assistant.
Choreographer and solo dancer in the Theatre du Chene Noir (France), Senior Artist in the Avignon Opera Ballet (France), Guest Artist in the Queensland Ballet, Danced in The Australian Ballet, Soloist with the London Festival Ballet (now the English National Ballet),
but internationally with the American Ballet Theatre, the London Contemporary Dance School, the London Festival Ballet, the Dutch National Ballet, the Norwegian National Ballet, the San Francisco Ballet, the Cullberg Ballet in Stockholm, and the Pacific Northwest Ballet in Seattle.
She was born as Sally Judd and she became a leading ballerina for the London Festival Ballet who danced in many roles in productions, such as The Nutcracker in 1962.
She went on to dance with Les Ballets de Paris (1950; 1953–1954), the London Festival Ballet (1954–1955), La Scala, Milan (1955–1956), and the American Ballet Theatre (1956–1957).
Alongside the best local troupes, choreographers and soloists, Dubrovnik has been visited by Merce Cunningham, Jerome Robbins, Alvin Ailey, Glenn Tetley and Martha Graham and their companies, the Twentieth Century Ballet of Maurice Bejart, the American Ballet Theatre, the London Festival Ballet, the Harkness Ballet, the Antonio Gades troupe, the ballet of the Hungarian State Opera, and ballets from the cities of Parma, Antwerp and Adelaide.