The performance was just a few months after the death of Roberto Parra, an important Chilean folk musician and an inspiration for Álvaro and the band in general.
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The popularity achieved by La Espada y La Pared, was an important motivation for the MTV network, who invited Los Tres to perform an Unplugged session in Miami.
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Unplugged, released in 1996, was such a success in Chile and Latin America.
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The band began a new traditional event during the 1996 Chilean national independence holiday, on 18 September, by founding a Fonda called Yein Fonda (a pun on Jane Fonda) in the park Plaza Ñunoa in Santiago, where they performed during several days folk music with friends.
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Beto Mendoza y los Pajaros Negros's early material is compared to acts such as Los Tres, Enrique Bunbury, José Alfredo Jiménez, Lila Downs, Eric Clapton kind of Blues and Caifanes.
Thus is immersed in a series of theatrical productions such as (Un Rufián en la Escalera), (El pelícano), (El Método Grönholm), Regina, (El Enterrador), (El Zapatero), (Vaselina 2001), (Los Tres Sexos de la Luna), Por Amarte Tanto, (Silencio Pollos Pelones), (Doña Rosita la Soltera), (La casa de Bernarda Alba), (La casa de Hasan), Bagdad, (Las Preciosas Ridículas), (Avenida Q) among others.
Los tres mosqueteros and Romeo y Julieta were produced during this period, and Los tres mosqueteros was selected to be screened at the first Cannes Film Festival in 1946.