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In 1960s Paris, the French philosopher Gaston Bachelard introduced his performance 'Brother of Isidora' at the Academy of Raymond Duncan, later, Louis Aragon would introduce another performance and finally, Marcel Duchamp honoured him with a 'medallic' object.
In 1934, Denoël edited Louis Aragon's Les Cloches de Bâle and Antonin Artaud's Héliogabale ou l'anarchiste couronné and, in 1936, Mort à crédit by Céline, as well as several notable pamphlets, such as Bagatelles pour un massacre (1937) and L'École des cadavres (1938).
Initially, he worked in the communist resistance with Pierre Villon, a period during which he met Pablo Picasso and Louis Aragon.
The most famous of the FTP-MOI's members was Missak Manouchian, and the FTP-MOI is widely known from the Affiche rouge, a German propaganda poster displaying the members of the FTP-MOI after their arrest at the end of 1943, whose aim was to stigmatise the presence of foreigners and Jews among the French Resistance; a poem by Louis Aragon, set to music and sung by Léo Ferré, deals with this story.
The title of the film is a translation of a line from a poem by Louis Aragon that the director saw printed on a French postcard.
He published in Istanbul his own translations of poems selected from the work of Louis Aragon (1897-1982), Bertolt Brecht (1898-1956), Attila József (1905-1937), Federico García Lorca (1898-1936), José Martí (1853-1895), Vladimir Mayakovsky (1893-1936), Pablo Neruda (1904-1973), Sándor Petőfi (1823-1849), Alexander Pushkin (1799-1837), Yiannis Ritsos (1909-1990) and others under the title "Ballads of Brotherhood".