For four years (1928–32), she and her husband lived in Berkeley, California where she joined various art leagues and worked with prominent artists in the Bay Area, including John Emmett Gerrity, David Park and Galka Scheyer who represented The Blue Four: European abstractionists, Feininger, Kandinsky, Jawlensky and Klee.
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She contacted an old Berkeley colleague, Marjorie Eaton who lived in Palo Alto on the Juana Briones Ranch, owned by Ms. Eaton’s mother.
In 1925, Eaton's stepmother, Edith Cox Eaton purchased the historic Palo Alto house of Juana Briones de Miranda and ran it as an art colony of sorts: artist Lucretia Van Horn and sculptor Louise Nevelson spent significant periods of time there, as did Marjorie.
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