X-Nico

Babette Mangolte

Mangolte credits Dziga Vertov’s Man with a Movie Camera (1929) as the film that made her decide to become a cinematographer.

Enemy Zero

"Confusion" is a modification of material from Nyman's previous score, The Ogre, while the Enemy Zero/Invisible Enemy/Battle theme were modified into portions of Nyman's score for Man with a Movie Camera.

Fictional film

Narrative cinema is usually contrasted to films that present information, such as a nature documentary, as well as to some experimental films (works such as Wavelength by Michael Snow, Man with a Movie Camera by Dziga Vertov, or films by Chantal Akerman).

Tokyo Is Dreaming

As a non-narrative portrait of the bustling metropolis, the documentary is a modern-day take on the City Symphonies that flourished in early 20th Century cinema with films such as Man with a Movie Camera.

Rien que les heures

Other noted examples of the genre include Charles Sheeler and Paul Strand's Manhatta (1921), Walter Ruttmann's Berlin: Symphony of a Metropolis (1927), Andre Sauvage's Etudes sur Paris (1928), and Dziga Vertov's Man With a Movie Camera (1929)

see also