Hardy freelanced for The Bicycle magazine, and bought his first small-format Leica 35 mm.
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Hardy was self-taught and used a Leica —unconventional gear for press photographers of the era— but went on to become the Posts Chief Photographer, after he earned its first photographer credit for his 1 February 1941 photo-essay about Blitz-stressed fire-fighters.
The detective units in each of these cities use a Leica or a Deltasphere three-dimensional scanner to photograph the crime scene, essentially "freezing" it for study during the investigation; hence, the series title "Crime 360."
In 1937 he replaced it with one of the new Leica 35 mm cameras, which was much more convenient and served him until the end of his career, being replaced with an identical model when the original was stolen in 1963.
In 1929 Miller was introduced to Leica and Graflex, cameras and began to study cinematography while attending Stanford University and Pomona College.
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The phrase "I like a Leica" became "I like a Nikon" and the lyrics were built around that line with a story of a girl loving a biker like an icon.
The Leica camera, which was such an important element for the artists of Stein's generation, was the product of several crucial technological advances.
Originally created by Malaxa-Carp, Optique De Le Vollois, and Bernard-Turnne, I.O.R. continued production under Soviet domination yet maintained links to famous Western European firms such as Carl Zeiss and Leica.
Adobe's Digital Negative (DNG) specification is an attempt at standardizing a raw image format to be used by cameras, or for archival storage of image data converted from undocumented raw image formats, and is used by several niche and minority camera manufacturers including Pentax, Leica, and Samsung.
In the early 1940s, Bar-Am started taking pictures of life on a kibbutz; he used borrowed cameras until he bought a Leica.