His landscapes quickly established him as a Post-impressionist painter at a time when local critics were still partial to Impressionism, however, and this motivated Fader to join other artists similarly out of favor with conservative Argentine audiences, such as Cesáreo Bernaldo de Quirós, the sculptor Rogelio Yrurtia and Martín Malharro (whose earlier, Impressionist work had - ironically - established the genre locally in 1902).
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