Mary Stewart, Baroness Stewart of Alvechurch (1903–1984), English Labour politician and educator
Queen Mary | Mary | Mary, Queen of Scots | Mary I of England | Mary J. Blige | Mary Shelley | Mary Poppins | Mary Pickford | Mary of Teck | John Stuart Mill | House of Stuart | RMS Queen Mary | Stuart | Mary Magdalene | Mary Robinson | Mary Landrieu | Assumption of Mary | The Mary Tyler Moore Show | Mary (mother of Jesus) | Mary-Kate Olsen | The Jesus and Mary Chain | Mary Chapin Carpenter | Mary Tyler Moore | Mary Stuart | Mary Hopkin | J.E.B. Stuart | James Francis Edward Stuart | Peter, Paul and Mary | Mary Lou Retton | Mary II of England |
She has also performed in Angels of America: Part I & II, Hamlet, A Little Night Music, Who's Afraid of Virginia Woolf?, Mary Stuart, La Bete, Grand Hotel, The Goat, or Who Is Sylvia?, Garden, Pal Joey, Black Snow, Kabuki Medea, and Emma's Child.
Early in 1865 he undertook the management of the Christiania theatre, and brought out his popular comedy of De Nygifte (The Newly Married) and his romantic tragedy of Mary Stuart in Scotland.
Dallapiccola sets three texts of imprisonment: a prayer of Mary Stuart, an extract from Book Three of Boethius' Consolation of Philosophy and Savonarola's unfinished Meditation on the Psalm 'My hope is in Thee, O Lord' .
Her repertory included Medea, Sappho, Lady Macbeth, Mary Stuart, Preciosa, Phèdre, Adrienne Lecouvreur, Jane Eyre and Messalina, in which character she was immortalized by the painter Hans Makart.
The Throckmorton family were infamous in England for their part in the Throckmorton Plot of 1583 which aimed to murder Elizabeth I and replace her with Mary Stuart.
Comparing Jakobea to Mary Stuart is not entirely far-fetched; even so, it may be an exaggeration.
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She has been compared with Mary Stuart, because both met a violent death in the framework of a religious conflict.
Stuart-Wortley was the son of Colonel James Stuart-Wortley-Mackenzie, son of John Stuart, 3rd Earl of Bute and his wife Mary Wortley-Montagu, Baroness Mountstuart in her own right, daughter of Edward Wortley Montagu and Lady Mary Pierrepont.
Their brother-in-law William Davidson of Curriehill invited Mary Stuart into his house in July 1660 and seems to have been a spy for Charles II.
Lord Bute married Mary, daughter of Edward Wortley Montagu and his wife, the writer Lady Mary Wortley Montagu.
Before Medea, the Musical he wrote and directed Mary! (a musical take on Mary Stuart), Oresteia: The Musical, Cleopatra: the Musical, and Napoleon: The Camp-Drag-Disco-Musical Extravaganza (in which upon discovering that Joséphine de Beauharnais is actually a man, Napoeon decides he is gay and liberates Europe so that all gays can be free).
In 1875, after one of the United States visits, she toured to Australia, performing the roles of Medea (play) (Euripides) Mary Stuart, and the title role in Elizabeth, Queen of England, written especially for her by Paolo Giacometti.
At a train station, Mary and Stuart's friends (Vincent, Marc, Caroll, Rita and Georg) head to a vacation home in Borgo San Lorenzo, where they expect to rendezvous Mary, Stuart and Caroll's husband Stan (who is preoccupied with work).
Her sisters were Lady Mary Stuart (c. 1741–1824), who married James Lowther, later the 1st Earl of Lonsdale; Lady Anne Stuart (born c. 1745), who married Lord Warkworth, later the 2nd Duke of Northumberland; Lady Jane Stuart (c. 1748–1828), who married George Macartney, later the first Earl Macartney; and Lady Caroline Stuart (before 1763–1813), who married The Hon.
She moved to Vienna in 1916 and by 1924 she was playing the title role in Friedrich Schiller's Mary Stuart.
She also appeared in the sit-com, "The Drew Carey Show," the Rob Reiner political documentary, "But Seriously, Folks," and the George Lucas 1994 film "Radioland Murders," starring Mary Stuart Masterson and Brian Benben.
In his 2007 article on Yanna McIntosh's role as Mary Stuart in the Friedrich Schiller play of the same name, chief theatre critic Richard Ouzounian of the Toronto Star described McIntosh as capable of good performances on difficult stage roles, titling his article "No role too bold for Mary Stuart star".