Prince of Wales | Charles, Prince of Wales | Prince | Orange | Orange County | Nassau | Prince Charles | Maurice Ravel | Orange Bowl | Nassau, Bahamas | Prince (musician) | Prince William, Duke of Cambridge | Prince Albert | Nassau County, New York | Prince Edward Island | Prince Edward, Earl of Wessex | Port-au-Prince | Prince Caspian | Orange Free State | A Clockwork Orange | Orange Bowl (game) | Albert, Prince Consort | Maurice Chevalier | Maurice Maeterlinck | Prince Edward | Prince Philip | Orange, New South Wales | Orange County, Florida | Prince Arthur, Duke of Connaught and Strathearn | Orange County, New York |
The end of their journey was The Hague, where stadtholder Maurice of Nassau gave them asylum in 1621.
In 1860, Belgium formally adopted the song and music as its national anthem, although the then prime minister, Charles Rogier edited out lyrics attacking the Dutch Prince of Orange.
In 1683, Somerset received an appointment in the king’s household, and two years later a colonelcy of dragoons; but at the Glorious Revolution he bore arms for the Prince of Orange.
De Houtman was introduced to the Sultan of Banten, who promptly entered into an optimistic treaty with the Dutch, writing "We are well content to have a permanent league of alliance and friendship with His Highness the Prince Maurice of Nassau, of the Netherlands and with you, gentlemen."
However in practice the princes of Orange of the House of Orange-Nassau, beginning with William the Silent, were always chosen as stadtholders of most of the provinces.
In common with all the Reform clergy, he refused to recognize Jacob Leisler's usurpation in 1689, and the latter, among other accusations, charged Dellius with being a principal actor in the French and English difficulties, and an enemy to the Prince of Orange, who had succeeded King James II.
The Dutch, led by Maurice of Nassau, the son of William the Silent and perhaps the greatest strategist of his time, had succeeded in taking a number of border cities since 1590, including the fortress of Breda.
It was a cloudy day in Paris and there was a large crowd, including the Emperor and Empress, King Fernando of Portugal and the Prince of Orange.
Most of David's models for it were figures involved in the Théâtre de la Monnaie: Venus was modelled by the actress Marie Lesueur, Cupid by Lucien Petipa, Mars by a subscriber or 'abonné', and one of the Graces by the Prince of Orange's mistress.
In 1576 he accompanied the Duke of Anjou on an expedition into the Netherlands in order to regain the former Rosny estates, but being unsuccessful he attached himself for a time to the Prince of Orange.
One day in a class when the teacher taught about Glorious Revolution and King William III of England, who was also Prince of Orange, he joked, "Why don't we change the school name to Orange Senior High School for distinction since our students all wear orange uniform jackets? Or St. Orange Senior High School would be even better if we want to emphasize it."
The name Orange derives from the Dutch Protestant House of Orange, which acquired the English throne with the accession of King William III in 1689, following the Glorious Revolution.
In the collection of the Prince of Orange at Brussels was a painting by him of a knight kneeling, with four sons, and in the Copenhagen Museum is a Man's Portrait by him.
After the capitulation of Groningen (the Spanish Occupier capitulated for the army of Maurice of Nassau and William Louis, Count of Nassau-Dillenburg) in 1594 the complex, like all Catholic buildings, got a new destination.
During the campaign, Halkett served in gunboats assisting the Dutch garrison during the Siege of Williamstadt and impressed the Duke with his activity, being rewarded with a promotion to post captain and an expensive medal from the Prince of Orange.